Thursday, October 11, 2018
This compilation was born through the love for cooperation and collaboration between various musicians from across Europe (and beyond). It took some time to gather them all together, but the final product was worth the wait. This release contains many different styles in varying degrees of darkness. Enjoy your sonic journey through DARK EUROPA!
released August 26, 2018
Allerseelen has been active in the industrial & apocalyptic folk genres since 1988. The music is a combination of industrial & folkloristic elements. Band leader Gerhard Hallstatt has worked with many guest musicians & vocalists to expand the sound of Allerseelen over the years.
Chaos Research [FI]
Chaos Research is a neo-classical darkwave duo from Finland. The bands’ 4th album was released in February 2018.
Choronzon is not an "occult themed" project. It IS the thing, it is not merely about it, or influenced by it. That which was open will close, that which was shut down will open out. Prediction is futile. Give up. But "give up" properly... "Those
who know don't tell. Those who tell don't know."
Extreme Chromo [GB]
“Creative fist: Extreme Chromo - concept by Dr Hyatt. Thanks to Original Falcon Press for calibration tools for unique freak individuals to calibrate constructively. Chromo kids kicking & screaming clawing from street smarts survivalist hell, turn suffering to success. Using principles of extreme living, hard work & determination to avoid self-defeat. ”
“Try as I might, I can’t come up with anything. To pigeonhole you in 280 characters…I just can’t do it. “
Jurica Jelić [HR]
Jurica Jelić is a vocalist, composer and multi-instrumentalist from Croatia. He played in the band “The Alibor”, played live with the band “Vještice”, created film and theatre scores with Srdjan Sacher and produced/recorded albums for various bands & artists.
Laguz Rune [FI]
Four ancient spirits have risen to pay homage to their northern heritage by utilizing traditional instruments to create atmospheric neofolk soundscapes.
Love The Ghost [IT]
Love The Ghost is an original music/video project created by Andrea L., songwriter, multi-instrumentalist and video-maker. Sound-
wise, Love The Ghost is heavily influenced by Post Punk, New Wave, Goth Rock and Hard-Rock.
Miel Noir [DE/BG]
Miel Noir is the project of Dimo Dimov (Svarrogh, Allerseelen, Sturmpercht…) and Marcel P. (Allerseelen, Sagittarius, Fahl…). They cover a wide variety of styles ranging from Neoclassic and Dark Ambient to Gothic Rock as well as Industrial, Electro-EBM and Avantgarde Pop.
P. Emerson Williams [NO]
Necrofuturist Highwire Artist. Every person known to be connected with this demon in human form has been beset by madness and disaster. Those who dare speak may point to the few who survive his acquaintance who to all appearances retain the manner of sanity and ascend to massive power.
Phobos Reactor [DE]
Phobos Reactor is a German Dark Electro project of the Insect Plasma front man and mastermind Oliver S. Pure electronic sound, forged on vintage machines, focused on dark ambience.
snowW.Wwhite is the only martial female solo project known to exist world-wide and based in Greater London. Playful melodies with martial drums, choral sounds and industrial dark undertones are the trademarks of snowW.Wwhite.
TONTTU is dedicated to the eradication of Gnomes worldwide. Music should be made by these rules as follows:
Gnomes will get offensive and aggressive as they listen to it, sympathizers shall run for their lives and seek cover...
Veil Of Thorns [NO]
Veil of Thorns is an ever evolving concept born of the fevered brain of P. Emerson Williams. Among the growing list of collaborators one can find authors, actors and musicians of many genres, reflecting the scope of what P. Emerson
Williams calls Necrofuturist art.
Winterhart is the project of the two Dance or Die members Falgalas & Wagner who have recently re-formed DoD under the name Darkness on Demand. Winterhart is inspired by Neofolk and Martial Industrial sounds and historic themes such as the rise and fall of great civilizations.
Zigfried Totengnomentanzen [US]
Tuesday, May 8, 2018
shiny red beads falling, cling to the feet
yesterdays visions cling to the eyes
the movement outside the door is not heard but felt
Wisdom tears you apart
thrown over you like a soaking cloak of fire
the soul is chilled in an endless scream
heads lined up on a table in the cold surgical light
a quick look will reveal what's within
you have torn off the skin and stand here exposed
the lens through which the others see you
is cracked, you come through in pieces
Choose your words well and do not move
time is to be deconstructed along with your art
your movement is broken for it is seen to be so
and the old black magic is a warm comfort
endlessly we copulate, replicate, populate,
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Monday, May 7, 2018
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Tuesday, July 10, 2012
Here's a little progress report on the Veil of Thorns tracks. Coming right up, we'll be releasing another single, the cover for which you can see above. The mix of the "A Side", as it were is complete and a couple remixes are in the works. We may throw in a remix of an existing Veil of Thorns track as well. These mixes are about 80% there. This should be coming in the next week or two.
Now, perhaps a few words on what we're up to are in order. To start with the usual vagueness, part of the larger project has to do some stuff with some graveyard footage, actors, poetry, fiction art and more...
The dreaded GOTHRONOMICON has been brought to us and is being translated by mute scribes and the content held therein tested by fearless and skilled mages, though a few have been lost between space... We have a tip on where to find the Gothrapocrypha and some info on what it will take to obtain it. We hope to get this process on film.
The plan with these singles is to release one or two songs at a time, with a lot of extras. This is part of the process of creating the next album. Those who collect the singles are helping fund operations. More than that, with the singles is a ton of exclusive material, including art, short stories, and videos, to mention a few. The more we can bring in, the more ambitious we can get with packaging, collaborative partners and more. The more you buy, share, stream on Spotify or wherever you like to get your music, play on your radio shows, podcasts and spin in clubs, the better what we create will be. If you do play our music on your show, podcast etc. let us know so we can spread your links around.
Keep an eye on this space and on PANICMACHINE, for much is in store and updates should be coming early and often.
P. Emerson Williams
Veil of Thorns
Wednesday, July 4, 2012
And previews of material and contracts connected with this project is not on paper, but on something which seems to react to the touch, like it's alive and reading our souls as we handle it...
The Girl Without A Face Includes remixes by Veil of Thorns members P. Emerson Williams and Ferenc Teglas and other gems were wrought by a few elusive and mysterious artists. Like the Bath Salts Mix - from Grave Knave - soundz kinda like codeine, actually. Maybe this is the comedown... Veil of Thorns give Big Thanx to Grave Knave for the rough treatment. Hive Mind Drones bring the sound of at the minimum mass hysteria to their mix, of not something more harrowing and sinister. On the final Drone Mix, Solar Sound System got abrasively meditative on the track...
A whole lotta art is going to be created as part of the upcoming Veil of Thorns release(s). Dissemination shall happen through digital, print and sale of originals. Something very strange is developing in the form the lyrical/prose aspect and odd goings on have been spotted on Emerson's estate...
Sunday, April 15, 2012
Well, here's one for an evening filled with dark sounds, the like of which have never vibrated in this universe before...
First up, our original score for NOSFERATU (1922)!! We created the score for the silent classic NOSFERATU back in 2005. Over the years, a number of people have asked if we could release the music on its own. The original session files were thought lost forever, but a valued supporter had stored the files in WAV format on a now shut down cyber locker and managed to keep a local copy. Now remastered, we're finally bringing this forth.
Because P. Emerson Williams can leave no idle idea alone, he created a soundtrack to "Nosferatu, a Symphony of Horror", the silent masterpiece by F.W. Murnau. Dozens of folks have done the same, but we're proud to present this version.
The approach was inspired by the Dogme 95 manifesto. Now, using so much technology probably makes it anathema to its adherents, but Emerson's mode of working is never pure, but, Harmony Korinne fanatic that he be, he felt an affinity to the movement. Several obstructions were placed on the process. The first rule was only to use sounds he already had on his hard drive. This was easy, as what he had taking up space were the audio tracks from the Veil Of Thorns album he had just completed (Manifestation Objective). What you'll hear is 90% vocals with much less processing than it sounds like. Secondly, he gave himself a time limit of eight hours to create and sync the audio to the video file. "It actually took longer to render the movie than it took to write the music(k)", saith P. Emerson "which was fine, as I had lots of drawing I wanted to get done."
For those few of you who haven't seen countless versions of this film, here is part of the wikipedia entry:
This was the first film of the production company Prana-Film GmbH; it was also the last as they declared bankruptcy after Bram Stoker's estateÃ¢â‚¬â€acting for his widow, Florence Stoker sued for copyright infringement (plagiarism) and won. The court ordered all existing prints of Nosferatu destroyed, but a number of copies of the film had already been distributed around the world. These prints were then copied over the years, resulting in Nosferatu gaining a reputation as one of the greatest movie adaptations of the vampire legend.
With the influence of producer and production designer, Albin Grau, the film established one of two main lines of vampire depiction in movies. The "Nosferatu-type" is a living corpse with rodent features (especially elongated fingernails and incisors), associated with rats and plague, and neither charming nor erotic but totally repugnant. The victims usually die and are not turned into vampires themselves. The more common other line is the "Dracula-type" (established by Bela Lugosi's version of Dracula and perpetuated by Christopher Lee), a charming aristocrat adept at seduction and turning his victims into new vampires.
And you will not want to miss this bit of loveliness, which includes some Veil of Thorns mangling of selected trax:
Tonight April 15 2012
7pm Pacific / 10pm Eastern on Bummer Bliss Radio
Tuesday, December 6, 2011
We just added a music section to the site where you can stream or buy downloads of many albums. Some of these releases have been given some loving re-mastering treatment and keep checking back for some exclusive and some free releases. This is just the start.
Eventually we'll have the full Veil of Thorns discography up there, as well as related projects, like the full discography of Choronzon and a few treats that are in the deal making stage. More on that as soon as things have been solidified. New editions of old CD's are in the works and two Veil of Thorns releases are in the works.
Saturday, December 3, 2011
Alan Moore is the world's most critically acclaimed author of comic books. In this film, we see a portrait of the artist as contemporary shaman, someone with the power to transform consciousness by means of manipulating language, symbols and images.I'd be hard pressed to find a better example of an artist who makes conscious use of myth and magick than Alan Moore. We can see all around us how prescient he's been, and through his work the thoughtful reader can read the myths with which we're continually pummelled by big media, politics and religion.
Narrated by Sean Penn and based on the work of media critic and best- selling author Norman Solomon, who traveled with Penn to Baghdad just before the war to call attention to the dangers of a U.S. invasion, WAR MADE EASY reaches into the Orwellian memory hole to expose 50 years of government spin and media collusion that has dragged our country into one war after another from Vietnam to Iraq. With remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, the documentary exposes how presidential administrations of both parties have relied on a combination of deception and media complicity to sell one war after another to the American people.This is one of many examples of how we are manipulated and distracted. I would point to Adam Curtis' brilliant documentary series The Century of the Self for more insight. Now, where it is valuable to shine the light on the unconscious parts of culture and mass consciousness, I would argue that the role of artists and musicians engaged in the purest kind of exploration of art and self is more important. Even more important is how each individual engages with these ideas and most important is that everyone is free in their creativity and shaping of their world, "artist" or not.
Grant Morrison could be one of the most important people you've never heard of, an inventive comic book writer who's practically a god among hardcore fans for spawning titles like Batman RIP, The Invisibles, All Star Superman and The New X-Men.And to round out this trio of illusion, dissolution and creative collusion, we have more comics, more magick and the kind of psychedelia we try to bring to Veil of Thorns in sound and sight.
Now, the first and third examples represent artists tapping into the mythosphere very effectively and eloquently. We've been playing with the elements of myth and narrative over the last twenty years, but perhaps we need to reveal the pattern. It is my tendency to be opaque and cryptic, but the number of people who have come to me to tell me that they saw the threads of the story Veil of Thorns has been telling reveal where some clarity could make our art stronger. Where this thought is taking us will soon be revealed.
Meanwhile I hope you enjoy this movie Saturday break as much as I enjoyed watching these films and giving some of the thoughts that came to me in the process. My apologies to those of you in countries without access to Hulu. I may do this again and use other sources.
P. Emerson Williams
Friday, January 22, 2010
Monday, July 27, 2009
“The Nightbreed Alldayer 2009!”
(and Gothic Sounds Of Nightbreed 5 launch party)
On Sunday, 6 December 2009
At "The Purple Turtle" Camden, London, England!
Doors open at 3pm, event ends at 1am. There will also be a pass-out system until 7pm.
Tickets cost £15 in advance and £20 on the door (subject to availability)
Special launch party for the long-awaited "Gothic Sounds Of Nightbreed 5"!!!!
Everyone who buys an ADVANCE ticket for "The Nightbreed Alldayer" will be given a FREE copy of "Gothic Sounds 5" as they enter the club on the day of the event!!!!!
Two Witches (Finnish Gothic legends-first London show in 8 years!)
Midnight Configuration (Satanic Gothic stalwarts-first London show in 7 years!)
13 Candles (Legendary 90’s Nightbreed Gothic band – first London show in over 10 years + re-formation gig!)
Lupine (Top Nightbreed Gothic crew- first London show in 4 years !)
+ surprise guests
+++ The entire event will be streamed LIVE over the Pray Silence website for those members unlucky enough not to be there!!!!! To join go to:
Also DJs will be setting the floors alight in between bands with a collection of classic goth, 90’s gothic underground, quality 80’s and darkwave only.
NO TECHNO, NO TRANCE NO WOOLLYHEAD! PURE GOTH AND GOTHIC-EVOLVED MUSIC ONLY.
DJs include (with more tbc):
Jon the Goth(Inquisition),
Zynthexia (From Finland)
DJ PO (Carnival Of Souls)
This event will be THE event of the year, be there or miss out on what will be a legendary night!
Tickets can be purchased from the following:
Stargreen Box Office Ltd
020 7734-8932 (Credit card hotline)
(Internet credit card orders)
Stargreen Box Office Ltd
20-21a Argyll St
228 Camden High St
Or via mail :
Nightbreed Recordings (cheques and postal orders only + include a self addressed stamped envelope)
44 Ogle St
For all the latest info on this event and anything else to do with the Global Gothic Underground join:
Pray Silence/ The Church Of Nightbreed at:
Nightbreed recordings reserve the right to change the line-up of the event, no refunds given. Refunds will only be furnished in the event of cancellation
Friday, April 24, 2009
My fine colleagues at Alterati.com let me hijack the show and with the help of James Curcio and Anna Young, what you can hear here was dramatized:
This unique episode takes you through a number of open-ended tales, told by the voices of a schizophrenic internal monologue. It can be taken as the voices in the mind of a sleeper, on the brink of sleep, or a mental patient, strapped into a bed in a moldy room in an asylum. Maybe these events happened, or have yet to happen. That’s for you to decide.
In addition to your loving host, this show features the voice acting talents of P. Emerson Williams and Anna Young, and the music includes much atmospheric material from Veil of Thorns and Ariana van Gelder.
Strap yourself in, put on the headphones, and enjoy the show.
Wednesday, April 22, 2009
The mixes are my usual thick and resonating things, as they were before I sent them off to the masterful mastering of Ari. Contents need to be decanted as they may throw off a sediment....
The image is the gateway to the file, and the player below starts the stream.
Artist/Composer: Veil of Thorns
Keywords: goth; experimental; Veil of Thorns; deathrock; gothic; dark; music
Creative Commons license: Attribution-NonCommercial
|VeilofThornsVeilOfThorns-CognigtiveDissonanceV_64kb_mp3.zip||64Kbps MP3 ZIP||13 MB|
|VeilofThornsVeilOfThorns-CognigtiveDissonanceV_vbr_mp3.zip||VBR ZIP||39 MB|
|Audio Files||192Kbps MP3||Ogg Vorbis||64Kbps MP3||VBR MP3|
|V-CC-T-V.mp3||40 MB||24 MB||13 MB||39 MB|
Tuesday, April 21, 2009
Read the full article here.
On the Veil of Thorns front, we have decided to show our support by releasing the full Veil of Thorns back catalogue as a torrent on the Pirate Bay site. We would appreciate it if everyone reading this would download the torrent, seed it for as long as you can to keep it alive and pass the torrent along. If you have a music blog, it would be lovely if you'd post any of these releases with links back to us, to the statement on kkoagublogg and weigh in with your own thoughts.
I would love to get a conversation going about every aspect of this issue. We're all in flux, and creativity in all things is needed more than ever.
More Cognitive Dissonance Transmissions coming later.
There is a thought that occurs to me as I drive past the many gated communities in this ritzy area of Florida. I'm glad the real estate speculators, Disney executives and yuppies are walled in and kept safely from the rest of us. We just need to lock the gates from the outside. I would love to see the major labels and movie studios come up with the perfect impregnable DRM, so they can be left to rot within their walled gardens.
This time is the best possible opportunity for true artists to get creative with ways to make a living. Under the old label system, it was mainly the few, the malleable, the aspirational among artists who benefitted. The RIAA argument that piracy hinders artists from making a living is bollocks. Music has always been a hard gig, it's just that now the majority are on the treadmill of writing, production, release and touring for themselves instead of a group of suits who lend them cash in return for the artists indenture.
This torrent was created to show dissent with the ruling, and in the spirit of freedom, that creative chaos which hidebound institutions fight with the impulse for stasis and death.
-P. Emerson Williams
In the Space Between Space
P. Emerson Williams – (Choronzon, Network, Nocturne, Voyager, Lead Reign) - Vocals, Guitar, bass, cello, keyboards, programming
James Curcio – (Babalon, subQtaneous) – Drums
Ruddy Bitch – Drums, Electronic Soundwaves, percussive Manipulations
Catherine Chenoweth – (Smack Tan Blue) – Bass
Jarrett Laitinen – (Twentytwo Fourties) – Guitar
Peter Wagner - Violin
Christopher McClain – (Theatre, Cheryl's Twitching Limbs, Amateur Bondage, Byzantine Slave Drug, Perma-Grin) - Bass, keys, sequencing, programming
Demo 1991 – Cassette – Remastered 2008
Study In Decay Demo – Cassette - 1992
Legemet Og Stemmen Demo – Cassette - 1993
Lust Beyond Flesh 7» ep - 1994
Cafe Flesh CD - 2002
Birthed CD – 2002/2006
Legemet Og Stemmen Demo Remastered CD - 2006
Manifestation Objective CDR/Online Release - 2005 – Remastered Edition + Bonus Tracks 2009
Cognitive Dissonance CD – 2007
The End of the Beginning – First album sessions 1992 – Remastered 2008
The Dead God Sessions CD – Second lineup album sessions 1996 – Remastered 2008
Live WMFO 1991 – Fall 2008
Live Halloween 1992 WMFO – Fall 2008
Bats in the Belfry 1994 Live – Fall 2008
Salon Apocalypse - Winter, 2009
The book will be out in the Summer of this year so if you know there’ll be a release, with title, for late 2008 release please include that.
mythosmedia.net - Label
alterati.com/blog – James Curcio, Managing Editor, P. Emerson Williams, contributor
Initially the intention was to play dark Jazz with electronic/industrial and orchestral elements. This vision has yet to be realized, obviously. The world of Jazz rejoices.
Download Torrent At The Pirate Bay
Friday, April 10, 2009
This is a collection of some of the music I have composed thus far in 2008. Everything in this podcast was created for the audiobook of Fallen Nation which is being podcast on Alterati.com.
In coming up with soundtrack music, I work in a wide array of styles, which is extremely rewarding, creatively. What the narrative calls for takes me outside my habitual sonic territory and forces me to rethink my approach every time.
I'd like to know what y'all think about this little cross section. It's a small amount of recent work, but an eight hour file is a lot to ask any one to listen to.
New Veil of Thorns album is well on its way and big plans. More on that later.
Thursday, April 9, 2009
Wednesday, April 8, 2009
Reproach (Full of Hope)
As all came
We could not help but laugh
Draining blood to function on belief
Factious stream counter to all pleas
Howl like wolves
Learn to love the crack of the lash
Chambers full, envy and returns distorted
On the sharp edge advance changes design
Holy, with indigent longing
Hollow ravenous greed and profits twisted
Resting on the firmament adapts intention
Contemplating dispersions quelling
Deplete to pour out acts in certainty
Factious blood counters all entreaties
My Inner Sanctum
In a shaded doorway
Watching the spirits at play,
Through a cracked and shimmering window to the world;
Through my surprise, welling up in my eyes:
Bleeding, old; a deep well of love:
The crowning glory swathed in fear,
The brave action recoiling into futility.
To my knees glancing upward,
There flies pain: mine.
Deep ecstasy traces desire.
Hidden places, lost hold;
No one to sustain reality,
My love erases me.
I turn around to go,
The world around me flows through my body.
The bitter realization contains the happy seed: yes, me.
Weak and stumbling,
Gloriously breathing still dawn’s air,
That part of me now lost forever,
It wanders lonely in the dark.
Battle-weary I remain
Though seemingly complete.
The soul bears not
Such vacuous conceit.
God damn you!
How can I bear to see your face?
Your every tear reveals my cowering disgrace.
To my knees, glancing inward:
My inner sanctum.
Exaltation in Ascendancy
Weeping alight, Drawn in too tight
Warnings too late are told in our plight
The haints come with parched, red grins
Celebrate this day our irredeemable sins
Nocturnal professions come into nothingness
Lifts our burdens, becomes our hidden weapons
Wailing by the window in the grief of the proud
Dread failings wrapped around us like shrouds
A soothing breeze, a haunting phrase
Leaks out from behind the gate
Secret passions worn like a medal
Truth be told, trust is never to be shown
Worship of Disclosure
Thought shall inaugurate the fall of fear
The fall eliminate the life that was
The life that was can never have been
Lie turns back on lie; behold
Fear shall die with its slaves
Visions shall lie, telling of the fear of death
Laughter shall erase this carnage of thought
Fear ridden spectres flitting by
Still their fetters bind your soul
Stronghold of corrosion let burst
The floodgates of dead gods desires
Move on by in disgust
Slink through the shadows of infinitude
Killing the will, slipping back
Back to that which never was
In distrust lie the possibilities
That were stillborn in haloed fields
We’ll tear the cities down falsehood by falsehood
Soul fire kisses, a hapless passion
Upon the pulse of the altars of madness
Radiant visage glowing words on flesh
Remembrance of my deaths shadow
Take my hand personified
Leads you down
Bound to the end of time
Strewn about like gravel
Blown like glass
Where lunacy comforts
Draw In, Wind Down
Wheels on wet road greet my waking eyes
Halted by the touch of memory
I smell the rain and hear its song
This bed will not let go of me
Nor the thirsty, feverish day get off me
Draw in, wind down
I still feel the touch of the nocturnal breeze
The seeds are flung at the remains; reasons found
Solemn grey – the sky evokes my Angel
Walking in the rain, I’m not alone
White lace, wet lace light and clinging
Clinging to the face of the forest
I want to sleep in the rain, in the snow
Warm and safe under the snows ice hands
I fall and am safe
I sleep and fear the face
I fly and am no more
And am no more
Sleep pulls me down into silken sepulchers
Born away on seas of sound I cry out
A breeze soothes my bitter mind on the crimson plane
Wrapped in those I love
I awaken to dawn caresses
And they are no more
Can’t stop Laughing (The Beauty of Drowning)
Souls defied, deep penetration
tearing asunder liquid desire.
Inner strength, all-consuming turmoil
pulls me down, pulls me under the black surface.
For all I love I give you this;
(Christians to the lions).
As we gaze upon the black water;
(you pull me under).
Speak to me of how I love the pain.
I can't stop laughing,
I can't stop laughing!
(The beauty of drowning).
We lie side by side, blowing sparks
gazing into the screaming silence.
Under the birthing moo we pray,
pray to be together for all time.
Undergrowth Silent with Want
Ice like claws languid in the damp
Memory fades, life drifts, blood dries
Spreading out among the leaves
The end begins, birth is everywhere
Embrace of roots; here is everywhere
All life is one – we are here
Lost in forever, hearing, feeling
Fated, Cascading; Submerged
No-one ever thinks about how it’ll end
Line after line gone up in smoke with fire as your only friend
All the thought of a lifetime with no conscious evolution
One cannot recall where it began to slide
Lost beneath the debris
You can no longer tell which way is up
We seem to count on forever
One automatic pull on the lever
The vital engine roars not trusted to deliver
The pain it will subside and make the muscle bigger
Dance victorious on our aching bloody feet
One more time, let’s hear the beat and spread our joy like opened veins
Come, let us wait here hiding beneath the snow
Centuries shall pass maddeningly as we watch them grow
Angels watching over us, attainment purified
Death, rebirth, life death, in snowy spirals fly
Force release virtual discordant hold of defense substitute pale vicinity gliding pseudonyms gravestone figures vitriol leitrim
Extend Inward, Breathe Out
The Gathering World Withdrew Its Fury
Lay me down – I fear no more
The longing is subsiding
I’ve locked the door – I’ve freed my mind
It’s only you and me
It’s time, let’s go
And as the sands of time conspire to erase us
It will be done
Dispersed in flight – we are alone
The vision slowly fades
Close my eyes – choke my cries
Now we’re going home
Tuesday, April 7, 2009
Monday, April 6, 2009
The words and much of the art are inextricably linked to the creation of the Birthed album. I wonder how many would feel like dancing after listening and reading at the same time...
Sunday, April 5, 2009
The debut demo from Veil of thorns, recorded on primitive equipment in a basement rehearsal complex in Boston. Instrumental tracks were recorded all at once on two tracks using two ribbon mikes and a direct line for Ruddy Bitch, leaving the other two for vocals and a couple additional guitars.
the noise of other bands can be heard at quiet moments.
P. Emerson Williams - Guitar, Vocals
Jarrett Laitinen - Guitar
Catherine Chenoweth - Bass
Ruddy Bitch - Drums
Tear the Cities Down
|VeilOfThorns-VeilOfThorns1991_64kb_mp3.zip||64Kbps MP3 ZIP||30 MB|
|VeilOfThorns-VeilOfThorns1991_vbr_mp3.zip||VBR ZIP||149 MB|
|Audio Files||VBR MP3||Ogg Vorbis||64Kbps MP3|
|Veil_of_Thorns_-_01-Void||19 MB||5.4 MB||3.8 MB|
|Veil_of_Thorns_-_02-Utopia||17 MB||5.3 MB||3.4 MB|
|Veil_of_Thorns_-_03-Tear_The_Cities_Down||18 MB||5.7 MB||3.5 MB|
|Veil_of_Thorns_-_04-Sanctify_[Drowning]||20 MB||6.6 MB||4.0 MB|
|Veil_of_Thorns_-_05-No_Claim||12 MB||4.1 MB||2.5 MB|
|Veil_of_Thorns_-_06-Dreamshadow_[Falling]||22 MB||6.2 MB||4.4 MB|
|Veil_of_Thorns_-_07-Re-Creating_Space-Time||15 MB||5.3 MB||2.9 MB|
|Veil_of_Thorns_-_08-Crimson_Smile||22 MB||7.3 MB||4.3 MB|
|Veil_of_Thorns_-_09-Nod||5.1 MB||1.7 MB||1.0 MB|