In a society racing towards oblivion, its machinic egregoreplex advances control processes that are ultimately futile. The psyche breaks down under the strain and reconfigures as a medium for an alien intelligence. The demonic is a manifestation of future shadow selves transmitted from down the darkest timeline. Society shapes itself to bring this potential into being.
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A sacred ritual unspeakably reproduces revelation, The business experiment of Cultural starvation, a system collective treatment root and wallow. Thinking system defined by which World it followed. A maze of phenomena people and the hardware writings race multidimensional witch-hunter quantum collusions in Space. Collapsed ideas conclusion fabricated gullibility parallels inhuman self-delusion of Science Cult system in which hyperstition dwells.
This capsule of toxins can Work unseen change.
Para-abnormal Realms in ancient books deceive which senses escalating the subject becoming reality. Beyond revolution image hackers proved application delusion. Others repurpose whatever escape penetrate organs of world demons
This is Association Myth Theory commodifies the apocalyptic Creative force M-KULT RA speculation, commercialization of the Mythic. Mystic Body Science Energy through the wanted Repression of this spell in a cultic observation of the accusation.
the Radiation fluids of God pollution
ruination marketed Genocide invocation
PURITY Well is Cultural crazy
but purity just questions a ceremon
released April 30, 2018
Aidan McGoran - Guitars
P. Emerson Williams - Vox, Guitars, bass, synth, cello
Ruddy Bitch - Drums
Mark Cunningham - trumpet on Dead Shadow Sunset Mirth Offering
Cern.Th.Skei - programming, keys, bass on Dead Shadow Sunset Mirth Offering
Anna Murphy - Vox on Dead Shadow Sunset Mirth Offering
Wednesday, August 29, 2018
Veil of Thorns - Dosage
Posted by PANICMACHINE at 6:53 AM No comments:
Labels: 2018, dance, dark, goth, goth?, gothic rock, grave wave, industrial, necrofuturist, news, okkvlt, old leech, P. Emerson Williams, PANICMACHINE, post punk, veil of thorns, Video, witch house
Monday, August 13, 2018
Veil of Thorns - Manifestation Objective (2005) [Full Album Video]
Originally released as a CDR back in 2005. Veil Of Thorns 2005 masterpiece was conceived during a period of hyper activity for P. Emerson Williams who also released two Choronzon CD’s at the same time (“New World Chaos” and “Panic Pandemic”.)
This was out a few years ago but has now reappeared in a mini-slew of recent releases, highlighting the more accessible area of their shady swamplike sound, for when not disturbing Veil Of Thorns can always offer the generally disturbed.
‘Reproach (Full Of Hope)’ is essentially groaning rock pulling at its own restraints, stretchy, floaty and melodic to the point of being sensitive.
‘My Inner Sanctum’ gets the bovine bass swinging, and with a nimble rhythm and delicate vocals it’s positively catchy in its ghostly silkiness.
‘Exaltation In Ascendancy’ is a slurry or agitated, urgent muted mutant rock and ‘Worship Of Disclosure’ consistently devious in its dipping rhythmical demeanour, with the vocals unusually sparse and lilting. Furtive, light guitar scurries beautifully in the hydraulic ‘Manifestation Objective’ which always threatens to go into freefall.
‘Draw In, Wind Down’ is a dyed-in-the-wool dying dawdle, ‘Dream Shadow’ preferring a blipverting Goth-psyche tangle, agony and ecstasy kicked under the table and left to fight it out. ‘Can’t Stop Laughing (The Beauty Of Drowning)’ gets to its knees threatening to be ‘Goldfinger’ but soon starts to snake around having a gloomy seizure but some spectacularly tingly guitar hauls it up by pointy bootstraps. ‘Undergrowth Silent With Want.’ works as an inflated sort of drone and by the time it’s finished you’re stuck in its addled groove, and the petite circles creating ‘Fated, Cascading, Submerged’ also snag you easily, being a thin veneer of a psychedelia, smeared with rock sighs. Then ‘Extend Inward, Breathe Out’ bewilders, crashing in like an alternate Portishead ending, but slowly disintegrating into ‘The Gathering World Withdrew Its Fury’ which lumbers off bleary, slowly, sore of head and heavy of heart, Plenty here. -Mick Mercer
Reproach (Full of Hope)
My Inner Sanctum
Exaltation in Ascendancy
Worship of Disclosure
Draw In, Wind Down
Can€™t stop Laughing (The Beauty of Drowning)
Extend Inward, Breathe Out
Undergrowth Silent with Want
Fated, Cascading; Submerged
The Gathering World Withdrew Its Fury
released January 1, 2005
Drums – Ruddy Bitch
Vocals, Guitar, Cello, Bass, Keyboards – P. Emerson Williams
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