Wednesday, March 28, 2012

Follow Strange Factories on Facebook!


There are creative endeavours, film projects, theatre productions, mythological examinations, transmedia experiences, works that offer psychological insights, part of or particles of sand in the shell of the zeitgeist that grow into pearls. FoolishPeople are on a path with Strange Factories that encompasses all of the above, but is also so much more. Strange Factories is something to which anyone who appreciates the pushing of artistic boundaries in film and art has to pay attention.


Strange Factories - HD Trailer from FoolishPeople on Vimeo.


We are not in the most critical need of another entertainment product in our mediated age, and life-changing and challenging encounters with art has to bring us beyond the marketer-colonized world of transmedia. You are invited into the world of Strange Factories, a place in which you will confront your own self in the most real terms.

A writer, haunted by an idea for a new story hunts for four refugee performers of a theatre destroyed in a mysterious fire. 
He locates his friends in a remote, pagan settlement founded by Stronheim; owner of a Strange Factory hidden deep in the local countryside that emits an infamous Hum. 
Victor enters into a dangerous pact when a vow is made to re-build their theatre if the story is completed in time for it to be performed at the village festival, where bizarre rituals are enacted by the Villagers under the influence of a hallucinogenic effluence siphoned out of the Strange Factory. 
Victor’s imagination and the fragmented memories of his friends collide in a violent fiction that not everyone can survive. 
Strange Factories’ is an immersive feature film; a uniquely powerful and original project that fuses cinema with a dreamlike environment to create an experience like no other. 
Principal photography on Strange Factories was completed in Prague and the UK in October 2011 and is currently in post-production with release scheduled for 2012.




It is my great privilege to be part of the FoolishPeople family. Many of you have come to me to tell me how deeply you have been touched by the releases Salon Apocalypse and Necrofuturist. Neither of these albums would have been possible if not for my having been allowed to work on Cirxus, Abattoir Pages, A Red Threatening Sky, The Basement and having been a part of the magickal world of FoolishPeople for the last few years.







Follow these links, subscribe to updates, like on farcebook and expect the experience of your lives.

With Love,
P. Emerson Williams

http://www.foolishpeople.com
http://www.facebook.com/strangefactories
http://www.imdb.com/title/tt2150487/

Sunday, March 11, 2012

VEIL OF THORNS - Recent GOTHRONOMIC Visualizations

Well, the Programmers Below Sights of the Operational Secret have been busy around here, preparing for the next stage of the Necrofuturist {RE}_Construction. More on that soon. here are some recent videos uploaded, ranging from a fully realized masterwork by Ferenc Teglas for Intellectual Institutional Object from Salon Apocalypse to experimental approaches on A Non-Euclidean Future and the Programmers... track from our spontaneous Veil of Thorns free "mixtape" Vampire Wars, the moving image collage on "Peripatetic" from 2007 release Cognitive Dissonance.







Monday, February 13, 2012

Modern Mythology: Pilot Podcast: Howard Bloom

Modern Mythology: Pilot Podcast: Howard Bloom: [LISTEN: direct link ] In this special Pilot episode of the new Modern Mythology podcasting series, Rusty Shackleford takes time to have ...


[LISTEN: direct link]

In this special Pilot episode of the new Modern Mythology podcasting series, Rusty Shackleford takes time to have a sit down chat with Howard Bloom. Many of you know Bloom from his books The Lucifer Principle, The Genius of the Beast and The Global Brain, in addition to his interviews and appearances on the Disinformation television series originally produced for the BBC.

In this interview, Rusty discusses Howard's role in helping to build relationships between artists such as Prince and Joan Jett and their public, touching upon the role of the artist as a modern day myth maker and the heir apparent of the shaman. Bloom's scientific and biological perspectives are also examined in conversation, particularly in reference towards the cultural myths explored and exposed in his newest book The God Problem.

Background music for this episode provided by members of Bradley The Buyer, HoodooEngine, Mankind is Obsolete, and Veil of Thorns. The featured tracks are In The Flesh from HoodooEngine’s album “Murder The World” and Bradley The Buyer’s cover of Prince’s “When Dove’s Cry”

[Check out some of the books, albums, and soon movies produced by Mythos Media and our various media partners.]

Monday, December 26, 2011

Veil of Thorns History - Manifestation Objective

For this one, I'm letting the music and words speak for the release. This one got some very enthusiastic reactions, but I didn't devote the two years following it to pimping it out. Manifestation Objective got a hundred thousand + free downloads between 2005 and up until I moved the Veil of Thorns site here. You can still stream it for nowt or next to nowt on Mog, Rdio, Spotify etc. but you do help us bring on the next stage of Veil of Thorns, which I can promise you, is leagues beyond anything we've done thus far.

-P. Emerson Williams








Reproach (Full of Hope)


As all came
Crashing down,
We could not help but laugh
Draining blood to function on belief
Factious stream counter to all pleas
Reclaim vision,
Howl like wolves
Learn to love the crack of the lash
Chambers full, envy and returns distorted
On the sharp edge advance changes design

Formless,
Unsullied,
Holy, with indigent longing
Hollow ravenous greed and profits twisted
Resting on the firmament adapts intention
The innocent
Break off,
Contemplating dispersions quelling
Deplete to pour out acts in certainty
Factious blood counters all entreaties 



My Inner Sanctum 


In a shaded doorway
Watching the spirits at play,
Through a cracked and shimmering window to the world;
Through my surprise, welling up in my eyes:
Your soul;
Bleeding, old; a deep well of love:
Sepulchral, cold.

The crowning glory swathed in fear,
The brave action recoiling into futility.
To my knees glancing upward,
There flies pain: mine.

Deep ecstasy traces desire.
Hidden places, lost hold;
No one to sustain reality,
My love erases me.
I turn around to go,
The world around me flows through my body.
The bitter realization contains the happy seed: yes, me.

Weak and stumbling,
Gloriously breathing still dawn’s air,
That part of me now lost forever,
It wanders lonely in the dark.
Battle-weary I remain
Inconsistency remarked,
Though seemingly complete.
The soul bears not
Such vacuous conceit.
God damn you!
How can I bear to see your face?
Your every tear reveals my cowering disgrace.
To my knees, glancing inward:
Imprisoned:
My inner sanctum.

Exaltation in Ascendancy


Weeping alight, Drawn in too tight
Warnings too late are told in our plight
The haints come with parched, red grins
Celebrate this day our irredeemable sins

Nocturnal professions come into nothingness
Lifts our burdens, becomes our hidden weapons
Wailing by the window in the grief of the proud
Dread failings wrapped around us like shrouds

A soothing breeze, a haunting phrase
Leaks out from behind the gate
Secret passions worn like a medal
Truth be told, trust is never to be shown


Worship of Disclosure



Thought shall inaugurate the fall of fear
The fall eliminate the life that was
The life that was can never have been
Lie turns back on lie; behold
Fear shall die with its slaves
Visions shall lie, telling of the fear of death
Laughter shall erase this carnage of thought

Fear ridden spectres flitting by
Still their fetters bind your soul
Stronghold of corrosion let burst
The floodgates of dead gods desires
Move on by in disgust
Slink through the shadows of infinitude
Killing the will, slipping back
Back to that which never was

In distrust lie the possibilities
That were stillborn in haloed fields
We’ll tear the cities down falsehood by falsehood



Manifestation Objective

Soul fire kisses, a hapless passion
Upon the pulse of the altars of madness
Radiant visage glowing words on flesh
Remembrance of my deaths shadow
Take my hand personified
Leads you down

Bound to the end of time
Strewn about like gravel
Blown like glass
Where lunacy comforts


Draw In, Wind Down



Wheels on wet road greet my waking eyes
Halted by the touch of memory
I smell the rain and hear its song
This bed will not let go of me
Nor the thirsty, feverish day get off me

Draw in, wind down

I still feel the touch of the nocturnal breeze
The seeds are flung at the remains; reasons found


Dream Shadow



Solemn grey – the sky evokes my Angel
Walking in the rain, I’m not alone
White lace, wet lace light and clinging
Clinging to the face of the forest
I want to sleep in the rain, in the snow
Warm and safe under the snows ice hands

I fall and am safe
I sleep and fear the face
I fly and am no more
And am no more

Sleep pulls me down into silken sepulchers
Born away on seas of sound I cry out
A breeze soothes my bitter mind on the crimson plane

Wrapped in those I love
I awaken to dawn caresses
And they are no more 


Can’t stop Laughing (The Beauty of Drowning) 




Souls defied, deep penetration
tearing asunder liquid desire.
Inner strength, all-consuming turmoil
pulls me down, pulls me under the black surface.

For all I love I give you this;
(Christians to the lions).
As we gaze upon the black water;
(you pull me under).
Speak to me of how I love the pain.
I can't stop laughing,
I can't stop laughing!
(The beauty of drowning).

We lie side by side, blowing sparks
gazing into the screaming silence.
Under the birthing moo we pray,
pray to be together for all time.



Undergrowth Silent with Want


Ice like claws languid in the damp
Memory fades, life drifts, blood dries
Spreading out among the leaves
The end begins, birth is everywhere

Embrace of roots; here is everywhere
All life is one – we are here
Lost in forever, hearing, feeling
Seeing all


Fated, Cascading; Submerged



No-one ever thinks about how it’ll end
Line after line gone up in smoke with fire as your only friend
All the thought of a lifetime with no conscious evolution
One cannot recall where it began to slide

Lost beneath the debris
You can no longer tell which way is up
We seem to count on forever
One automatic pull on the lever

The vital engine roars not trusted to deliver
The pain it will subside and make the muscle bigger
Dance victorious on our aching bloody feet
One more time, let’s hear the beat and spread our joy like opened veins

Come, let us wait here hiding beneath the snow
Centuries shall pass maddeningly as we watch them grow
Angels watching over us, attainment purified
Death, rebirth, life death, in snowy spirals fly

Force release virtual discordant hold of defense substitute pale vicinity gliding pseudonyms gravestone figures vitriol leitrim




Extend Inward, Breathe Out
(instrumental)



The Gathering World Withdrew Its Fury


Lay me down – I fear no more
The longing is subsiding
I’ve locked the door – I’ve freed my mind
It’s only you and me
It’s time, let’s go

And as the sands of time conspire to erase us
It will be done

Dispersed in flight – we are alone
The vision slowly fades
Close my eyes – choke my cries
Now we’re going home

Necrofuturist Episode 32 - Beastern Crabalistic Sources


The Necrofuturist Illuminati were set up for "gothronomic intriguing rather than in speculation", the Necrofuturist Illuminati became "much more characteristic of a cross-dimensional militia in action than a disorder with initiations." P. Emerson Williams' contempt for certain exoteric pursuits - as a "thing-in-itself" - was widely known: "... in Williams' system the phraseology of Gothraism, the Necrolistic legends of Freemasonry, the mystical imaginings of the Fartinistes, play at first no part at all. For all forms of 'gothosophy,' gnoccicism, refined spiritsism, and musick-magick Williams expresses nothing but contemporaneousness, and the Doze-Croix Necromasons are bracketed with the Necruits by the Necrofuturist Illuminati as enemas it is necessary to out-twit at every turn. Consequently no degree of Doze-Croix finds a place in Williams' system, as in all the other Gothtronic orders of the day which drew their influence from Beastern or Crabalistic sources."


Playlist:

UK Decay – Unexpected Guest
Veil of Thorns – A Craven Slave Design
Experiment Haywire - New World Order Show (Fernthal Highway mix)
Miserylab - Stand in Line
Attrition - Mind Drop
Thomas Jude Barclay Morrison - The Plague Doctor
Esben And The Witch – Warpath
Pictureplane - Goth Star (Brenmar Remix)
NO VIRGIN - Cocaine and Ashes
Controlled Bleeding – Trawlers Song
White Ring - Feather (Story of Isaac Remix)

Sunday, December 25, 2011

Movie Sunday Holiday Edition


Penniless and withdrawing from opiates, Danny emerges from a 72-hour stay in a police holding cell. Hoping to make enough money to buy his next hit of heroin, he scours the streets looking for something to steal. After an unsuccessful attempt to break into a parked car, he discovers an unattended suitcase sitting in a doorway. He makes off with the case and takes it to an abandoned park to examine its contents. There he finds that the case contains two severed human legs. Disgusted, he discards the legs and tries to find a buyer for the suitcase. He finds a buyer who gives him three dollars but also informs him that the local heroin dealer has been arrested.




The Secret Adventures of Tom Thumb was made using a combination of stop-motion animation and pixilation (live actors posed and shot frame-by-frame), often with live actors and puppets sharing the frame.
A boy born the size of a small doll is kidnapped by a genetic lab and must find a way back to his father in this inventive adventure filmed using stop motion animation techniques. Tom meets a variety of strange creatures and eventually discovers a race of miniature humans like himself. 




Sado-Claus iz kumming for the profoundly naughty...
Video by Ferenc Teglas and P. Emerson Williams
Musick by Thee Ex-KarollerzSado-Claus iz kumming for the profoundly naughty... Video by Ferenc Teglas and P. Emerson Williams Musick by Thee Ex-Karollerz


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