Veil of Thorns - Manifestation Objective (2005) [Full Album Video]

https://digital.panicmachine.com/album/manifestation-objective
https://open.spotify.com/album/11aQyRVOmjMyo7KUwQDEDI

Originally released as a CDR back in 2005. Veil Of Thorns 2005 masterpiece was conceived during a period of hyper activity for P. Emerson Williams who also released two Choronzon CD’s at the same time (“New World Chaos” and “Panic Pandemic”.)

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This was out a few years ago but has now reappeared in a mini-slew of recent releases, highlighting the more accessible area of their shady swamplike sound, for when not disturbing Veil Of Thorns can always offer the generally disturbed.
‘Reproach (Full Of Hope)’ is essentially groaning rock pulling at its own restraints, stretchy, floaty and melodic to the point of being sensitive.
‘My Inner Sanctum’ gets the bovine bass swinging, and with a nimble rhythm and delicate vocals it’s positively catchy in its ghostly silkiness.
‘Exaltation In Ascendancy’ is a slurry or agitated, urgent muted mutant rock and ‘Worship Of Disclosure’ consistently devious in its dipping rhythmical demeanour, with the vocals unusually sparse and lilting. Furtive, light guitar scurries beautifully in the hydraulic ‘Manifestation Objective’ which always threatens to go into freefall.
‘Draw In, Wind Down’ is a dyed-in-the-wool dying dawdle, ‘Dream Shadow’ preferring a blipverting Goth-psyche tangle, agony and ecstasy kicked under the table and left to fight it out. ‘Can’t Stop Laughing (The Beauty Of Drowning)’ gets to its knees threatening to be ‘Goldfinger’ but soon starts to snake around having a gloomy seizure but some spectacularly tingly guitar hauls it up by pointy bootstraps. ‘Undergrowth Silent With Want.’ works as an inflated sort of drone and by the time it’s finished you’re stuck in its addled groove, and the petite circles creating ‘Fated, Cascading, Submerged’ also snag you easily, being a thin veneer of a psychedelia, smeared with rock sighs. Then ‘Extend Inward, Breathe Out’ bewilders, crashing in like an alternate Portishead ending, but slowly disintegrating into ‘The Gathering World Withdrew Its Fury’ which lumbers off bleary, slowly, sore of head and heavy of heart, Plenty here. -Mick Mercer

Tracks:

Reproach (Full of Hope)
My Inner Sanctum
Exaltation in Ascendancy
Worship of Disclosure
Manifestation Objective
Draw In, Wind Down
Dream Shadow
Can€™t stop Laughing (The Beauty of Drowning)
Extend Inward, Breathe Out
Undergrowth Silent with Want
Fated, Cascading; Submerged
The Gathering World Withdrew Its Fury

released January 1, 2005

Drums – Ruddy Bitch
Vocals, Guitar, Cello, Bass, Keyboards – P. Emerson Williams

GOTHRONOMICON

Ah, yes, what may be the most pop and beat-driven Veil of Thorns album yet created and we go name it GOTHRONOMICON... Well, a mysterious stranger showed up at the gates of the massive Veil of Thorns estate with a most curious manuscript of a most disturbing and harrowing codex and we were impelled to come to terms with its arcane secrets. This was certainly one of the most rewarding recoding sessions, with contributions from two of the finest and most talented people one could ever hope to find.

Veil of Thorns - GOTHRONOMICON CD
$12.00 + S&H

The dreaded GOTHRONOMICON has been brought to us and is being translated by mute scribes and the content held therein tested by fearless and skilled mages, though a few have been lost between space...

We have a tip on where to find the gothrapocrypha and some info on what it will take to obtain it. We hope to get this process on film.

Of his madness many things are told. I, P. Emerson Williams, Ferenc Teglas and Aidan McGoran marauded mythic R'lly'yeh, or City of Pillocks, and to have found beneath the ruins of a certain nameless desert town the shocking annals and secrets of a race of atomic supermen older than humankind. They were only different Gothramaritans, worshipping unknown entities whom they called flogsogoth and necro cryptu.  

As i stood here below, methought their eyes were four full moons: Ferenc Teglas and Aidan McGoran had a thousand noses; horns whelked and wavèd like the enridgèd sea: they were a pair of fiends. And I summoned again to stand before me Ferenc Teglas and Aidan McGoran, the burning idols of demons, and I sat them down on raised seats of honour, and said to them: "why art thou agog, Emperor ov Sonic Electronic Golems and Supreme Overlord ov Git-Fiddles of the necrofuturist veil of thorns?" and they said unto me: "because we alone are the great serpents that came down. for i was first angel in the first heaven" said one, being entitled Ferenczebub. "and I now control all who are bound in the GOTHRONOMICON being titled Aidancifer" said t'other. . .  

P. Emerson Williams
Head Necrofuturist,
Veil of Thorns
2012ev

Credits:

P. Emerson Williams - Vox, Bass, Cello, 12 String Guitar, Slide Guitar, Analog Synth
Ferenc Teglas - Synth, Piano, Digital Armatures
Aidan McGoran - Guitars
Ruddy Bitch - Drums
Pandora - Drums

GOTHRONOMICON I - Pencil Drawing 2012 P. Emerson Williams

Also, buy the GOTHRONOMICON Original Pencil Drawing and you get a GOTHRONOMICON CD and an immediate download of the digital album.

The P. Emerson Williams original drawing from which the cover art for the GOTHRONOMICON album was created. Pencil on acid free paper 8 5/18"x8 5/8" (Note - images 2-5 are details of the full drawing, not separate pieces.) More art for the first of the GOTHRONOMICON books and GOTHRAPOCRYPHA series is currently being retrieved from the space between space.

About thee artist:
In his last years, Williams dwelt in Damask silk, where the Gothronomicon (O Az-If) was written. 

In art, in the Dictionnaire Infernal, P. Emerson Williams is depicted as a crude man with dragon-like wings, hands and feet, a second pair of feathered wings after the main, wearing a crown, holding a serpent in one hand, and riding a wolf or hog. 

The "good" P. Emerson in recent use is largely a literary device (e.g., Maxwell's P. Emerson), though references to good P. Emersons can be found in Hesiod and Shakespeare. In common language, to "P. Emersonize" a person means to characterize or portray them as evil, or as the source of evil.

The Girl Without A Face Pencil Drawing - P. Emerson Williams 2012

Also available is The Girl Without A Face Drawing + GOTHRONOMICON CD and digital album download.

The Girl Without A Face Original Pencil Drawing + CD
The P. Emerson Williams original drawing from which the cover art for the Girl Without A Face EP was created.

Pencil on acid free paper 6"x9" (Note - images 2-5 are details of the full drawing, not separate pieces.)

Veil of Thorns History: BIRTHED (2002)

Throughout the -90's we were gigging a lot with a few revolving s-pots in the lineup, Veil of Thorns remained a band focused on playing live. In the period between -94 and -98 we wrwe gigging and rehearsing so much, it ended up cutting into the writing and recording. Contrast that with the output in the last decade - six full albums, a string of silent film scores and about a dozen compilatioin tracks vs. four cassette demos, three of which were widely released, five compilation tracks and one 7" in the 1990's with some overlap of cuts from recording to recording. If I had been more forward thinking, I would have had these shows recorded in audio and video. Many of the gigs included guest players and extensive improvisation. We have put out the call several times for footage around Boston, New York or New Orleans from that time. There were dozens of gigs caught on video, but none of this footage has as yet surfaced...

We were slated to release our debut CD through Misanthropy Records by the end of this period, but was not to happen as Tiziana, head of Misanthropy decided to close the label. What ended up as Cafe Flesh and The Dead God Sessions (tracks not on Cafe Flesh were later released as part of Dead God) demos done for the label for this album. There are more than a hundred hours of material not included in those releases I have on DAT tape, some of which that may see the light of day at some point.

In 1997 I signed with Nocturnal Art Productions and released the first Choronzon album in 1998. This brought much more attention than Veil of Thorns ever got, and I focused on that for a bit. I recorded the Choronzon albums Lilith, Era Vulgaris and Larvae in 1989/1999, after which I dropped out of all normal society for a few years following.

Basically I went into the woods and was deep in the grip of the Gwyllt. By the time I re-emerged, I was psychically stripped down to nearly nothing. There's a world of difference between the work prior to and following this time. Musical habits and even my usual instruments were largely abandoned for the Birthed recording sessions. My methods continue to evolve from what I established with Birthed to this day.

For the first time, new technology meant I could use the cutup method simply with sound, and spot new patterns and create arrangements from them. More subconscious currents bubble forth on Salon Apocalypse and Necrofuturist, perhaps, but the danciness of the tracks on Birthed was a celebration of rebirth.

Within the tracks on "Birthed", a CD by Veil Of Thorns, you can hear parallels to industrial bands such as Pig, Razed in Black and Nine Inch Nails and, more often than not, you can hear the pure creativity of P. Emerson Williams. Anything created by this man, the brain behind Choronzon (black metal tinged with experimental, ambient and industrial edges) , you would expect to be eclectic and creative. It's his trademark. Herein you'll encounter thick, pummeling, distorted spears of electro/guitar industrial, D&B, goth, dirgey slow industrial moodiness, etc., etc., etc., etc., in fact, etcetera ad infinitum. What's persistent in Williams' smooth, creative and original fusion of various elements is the sustained tone and mood, like that of a soul resigned to nihilistic fate. None of Emerson's creations are quite like anything else, even when you're hearing touches of something else in there. His fierce originality score another point for the underground.
Review by: Kristofer Upjohn, www.chaindlk.com

credits:
released 01 January 2003
Drums – Ruddy Bitch
Guitar, Vocals, Bass, Keyboarding, Programming – P. Emerson Williams

The GSpot: User’s Manual for the Human Experience- CIRXUS

The GSpot: User’s Manual for the Human Experience- CIRXUS

Joseph Matheny talks to Michael Dean about his newest book, A USER’S MANUAL FOR THE HUMAN EXPERIENCE. Also in this show: Sleepchamber and and excerpt from the Foolishpeople production of CIRXUS.

Show dedicated to my dearly departed friend: Dave Szulborski

Information: In the SLEEPCHAMBER bit, John Zewizz and co. gives updates on the band, shares tracks from the forthcoming album “Stolen Sleep”, and thanks the fans and collaborators who have supported the return of SLEEPCHAMBER.

Exerpt from Cirxus, a FoolishPeople production written and directed by John Harrigan. This psycho-audio sequence is produced and performed by P. Emerson Williams and directed by John Harrigan. A promenade performance will run from 25th May - 13th June 2009 in Arcola Theatre’s new industrial space, Studio K in London.

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