Monday, December 26, 2011

Necrofuturist Episode 32 - Beastern Crabalistic Sources


The Necrofuturist Illuminati were set up for "gothronomic intriguing rather than in speculation", the Necrofuturist Illuminati became "much more characteristic of a cross-dimensional militia in action than a disorder with initiations." P. Emerson Williams' contempt for certain exoteric pursuits - as a "thing-in-itself" - was widely known: "... in Williams' system the phraseology of Gothraism, the Necrolistic legends of Freemasonry, the mystical imaginings of the Fartinistes, play at first no part at all. For all forms of 'gothosophy,' gnoccicism, refined spiritsism, and musick-magick Williams expresses nothing but contemporaneousness, and the Doze-Croix Necromasons are bracketed with the Necruits by the Necrofuturist Illuminati as enemas it is necessary to out-twit at every turn. Consequently no degree of Doze-Croix finds a place in Williams' system, as in all the other Gothtronic orders of the day which drew their influence from Beastern or Crabalistic sources."


Playlist:

UK Decay – Unexpected Guest
Veil of Thorns – A Craven Slave Design
Experiment Haywire - New World Order Show (Fernthal Highway mix)
Miserylab - Stand in Line
Attrition - Mind Drop
Thomas Jude Barclay Morrison - The Plague Doctor
Esben And The Witch – Warpath
Pictureplane - Goth Star (Brenmar Remix)
NO VIRGIN - Cocaine and Ashes
Controlled Bleeding – Trawlers Song
White Ring - Feather (Story of Isaac Remix)

Sunday, December 25, 2011

Movie Sunday Holiday Edition


Penniless and withdrawing from opiates, Danny emerges from a 72-hour stay in a police holding cell. Hoping to make enough money to buy his next hit of heroin, he scours the streets looking for something to steal. After an unsuccessful attempt to break into a parked car, he discovers an unattended suitcase sitting in a doorway. He makes off with the case and takes it to an abandoned park to examine its contents. There he finds that the case contains two severed human legs. Disgusted, he discards the legs and tries to find a buyer for the suitcase. He finds a buyer who gives him three dollars but also informs him that the local heroin dealer has been arrested.




The Secret Adventures of Tom Thumb was made using a combination of stop-motion animation and pixilation (live actors posed and shot frame-by-frame), often with live actors and puppets sharing the frame.
A boy born the size of a small doll is kidnapped by a genetic lab and must find a way back to his father in this inventive adventure filmed using stop motion animation techniques. Tom meets a variety of strange creatures and eventually discovers a race of miniature humans like himself. 




Sado-Claus iz kumming for the profoundly naughty...
Video by Ferenc Teglas and P. Emerson Williams
Musick by Thee Ex-KarollerzSado-Claus iz kumming for the profoundly naughty... Video by Ferenc Teglas and P. Emerson Williams Musick by Thee Ex-Karollerz


Saturday, December 24, 2011

Hypnagothique #39 – Clash of the Titans Vol.5 - Veil of Thorns Vs. Vasilisk




クレイジー意地の悪いお尻蜂蜜アナグマ #1
Whirling Dervishes – Vasilisk
Dead God – Veil of Thorns

クレイジー意地の悪いお尻蜂蜜アナグマ #2
Acqua – Vasilisk
Rain – Veil of Thorns






Sunday, December 18, 2011

Movie Sunday - Writers Shaping Their Own Worlds

Well, Movie Saturday has become Movie Sunday this week because of a terribly unreliable ISP. Anyway, here's what inspires us this week.

A meditation on future event potentiality can be seen as a quantum state in which all possible actions, outcomes and phenomena existing until attention from the observer solidifies it into a single state. Here are three very different examples of artists who saw things not as others saw them, but the worlds they conceived shape the one we're in in strange ways.



PKD was paranoid and thought he was under surveillance. So did Hemingway, and it was thought until recently that Hemingway's paranoia had no basis in reality, but he had indeed been watched by government agencies. PHilip K Dick raised many questions in his work that we had better find answers to. As irksome as recent years have been, without reflecting on the issues of consciousness, the very real threat of being subject to pre-crime punishment and many other topics he originated that seemed so fantastic at the time.
Philip.K. Dick documentary on BBC's "Arena" originally broadcast on 9th April 1994.  
Elvis Costello Interviewee
Philip K. Dick (archive footage)
Thomas M. Disch
Terry Gilliam
Himself - Interviewee
Kim Stanley Robinson
Himself - Interviewee




Consider this - a recluse from Providence writes tales for a tiny fringe publication and ends up influencing writers generations later. Through the continued popularity of his work and spreading influence of those he influenced weave their way throughout culture. Culture shapes thoughts, and thoughts determine actions. I have put forth the idea that all narrative is myth, and that political, commercial, cultural and religious myth is largely what determines what manifests as the world in which we live. The Chthulu mythos is like the mythological equivalent of "art for art's sake". Freeing the imagination from mundane perception is as valuable as conscious memetic engineering. There is real value in not having to justify everything in practical, pragmatic and material terms. Our current political/corporate power structure is Terry Pratchett's Auditors possessing human institutions. we can take comfort in the cold, indifferent universe and rest assured that the Old Ones will awaken and chaos never died...

http://www.snagfilms.com/films/title/lovecraft_fear_of_the_unknown 
H.P. Lovecraft was the forefather of modern horror fiction having inspired such writers as Stephen King, Robert Bloch and Neil Gaiman. The influence of his Cthulhu mythos can be seen in film (Re-Animator, Hellboy, and Alien), games (The Call of Cthulhu role playing enterprise), music (Metallica, Iron Maiden) and pop culture in general. 
But what led an Old World, xenophobic gentleman to create one of literature's most far-reaching mythologies? What attracts even the minds of the 21st century to these stories of unspeakable abominations and cosmic gods? 
LOVECRAFT: FEAR OF THE UNKNOWN is a chronicle of the life, work and mind that created these weird tales as told by many of today's luminaries of dark fantasy including John Carpenter, Guillermo Del Toro, Neil Gaiman, Stuart Gordon , Caitlin Kiernan, and Peter Straub. 




It's fashionable to hate on Crowley in certain circles these days, but I'm not inclined to take part in that. What are the current tendencies towards social control but an old Aeon struggling to live on while in its death throws?
Aleister Crowley "The Wickedest Man in the World." Featuring the Voice of Joss Ackland and Music Score by Rick Wakeman.

Saturday, December 17, 2011

Menagerie of Suffering - Bright Colours of Horror For The Dark Season

To assuage thee horrorz ov thee season, the fine folks at Grimtown Records have put together a most atmospheric compilation and bring it to you for free. We contributed a track which, inspired by the theme, we recorded in an abandoned theatre (of terror) deep down in a rusting valley. We made sure to capture the reverberations and eldritch voices hid therein...

Grimtown Records is proud to give you our first free compilation:

Menagerie of Suffering

a tribute to Italian horror and exploitation

We’ve put together a brilliant playlist for you, with a variety of artists who share their unique experience and visions. From pataphysics, ambient and noise, and further on to pure seventies retro. Download and distribute far and wide, and keep the spirit of exploitation alive and screaming. 
If you like this music (and art), don’t be afraid to let us know, and don’t be afraid to tell the artists involved. Musicians are all psychick vampires, and want your emotional feedback. If there’s enough of it, there might be more releases in the future.

TRACKLIST:

01 Three Winters – Atrocities
02 Atropine – Glass Jaw
03 Magdalena Solis – Prophetic Dreams
04 Others – Nero su Rosso
05 Miza[R] – Di Comunicazion Radio
06 Continental Fruit – Viva Fangoria
07 Veil of Thorns – Gli Occhi Della Notte
08 Dead Skull – I miei Colori
09 Gyron V – Killing for Satan
10 Gird_09 -  Seven Doors of Hell
11 Epilektrician – Scene 75, Interior – Bathroom Carnage
12 Andreas Brandal – All the Colors of the Dark


Magdalena Solis has also provided a video which will be made available as soon as possible. In the meantime you can watch it here:

Magdalena Solis - Prophetic Dreams from Magdalena Solis on Vimeo.

Cosmic harlots in a sacrilegious ecstatic dance. To a world where dreams are the only true prophecies. 
The song 'Prophetic Dreams' appears on Magdalena Solis 's album "Hesperia", released on Dying For Bad Music, 2011. Various footage mangled & distorted & mixed by Magdalena Solis. Tribal make-up pictures and 'Venus del Sur' drawing by Dolorosa (http://dolorosa-reveries.blogspot.com). Daggy Diva pictures by Jules Dazzle.

Kevin Bittle has provided artwork for the PDF booklet.


Friday, December 16, 2011

Veil of Thorns History - Dead God




Opening proceedings on this one is a perky pop confection that will probably catch those who have been with us for a while off guard. Dead God consists mainly of a cassette rip of the third Veil of Thorns demo from 1992 that was never released. This opening track shows one immediately what a rock solid bass Cathy Chenoweth delivered in recordings and live. Here appears the many splendored pounding from Ruddy Bitch the Younger for the first time. That Emerson guy, well he moans and wails, on guitar he flails over hill and dale... Final track features a thunderous low-end bass apocalypsis brought by Christopher McClain.

Torrenters, and there have been many of you for these tracks, will notice there's a close match between Dead God and a release called The End of the Beginning. I figured I'd give this one one last go at cleanup on the sound and add in a couple tracks from The Dead God Sessions from the second lineup that aren't alternate versions of tracks from Cafe Flesh. I the result is a more solid experience, though still undeniably lo-fi and different from all other Veil of Thorns offerings.

Few people heard The End of the Beginning this at the time and none heard The Dead God Sessions outside the inner circle and Tiziana from Misanthropy Records. Raw recordings from rehearsal and pre production demos for the debut Veil of Thorns album in 1995. The Dead God Sessions tracks were recorded live in a single take in most cases, using two mikes, placed at either end of a 30’x30’ rehearsal room in Boston. The analog recording was extremely hot, so little compression or noise reduction was done.

Within days of the conclusion of the End of the Beginning recording sessions, Jarrett was gone and Cathy was on her way to New York. Christopher (Dogface) McClain was to step in and Veil of Thorns would start showing a new focus. McClain brought with him a massive bass rig that could raze small towns. In performing the title track live I would stick my head and microphone right in the speaker of the bass cabinet to add that overload of volume to the screaming at the end. Good times.

Already the vocals were less operatic, and there is even a hint of pop songwriting, something that was not to be revisited until much later on Birthed.

-P. Emerson Williams

Have a listen:

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