Showing posts with label veil of thorns. Show all posts
Showing posts with label veil of thorns. Show all posts

Sunday, March 11, 2012

VEIL OF THORNS - Recent GOTHRONOMIC Visualizations

Well, the Programmers Below Sights of the Operational Secret have been busy around here, preparing for the next stage of the Necrofuturist {RE}_Construction. More on that soon. here are some recent videos uploaded, ranging from a fully realized masterwork by Ferenc Teglas for Intellectual Institutional Object from Salon Apocalypse to experimental approaches on A Non-Euclidean Future and the Programmers... track from our spontaneous Veil of Thorns free "mixtape" Vampire Wars, the moving image collage on "Peripatetic" from 2007 release Cognitive Dissonance.







Monday, December 26, 2011

Veil of Thorns History - Manifestation Objective

For this one, I'm letting the music and words speak for the release. This one got some very enthusiastic reactions, but I didn't devote the two years following it to pimping it out. Manifestation Objective got a hundred thousand + free downloads between 2005 and up until I moved the Veil of Thorns site here. You can still stream it for nowt or next to nowt on Mog, Rdio, Spotify etc. but you do help us bring on the next stage of Veil of Thorns, which I can promise you, is leagues beyond anything we've done thus far.

-P. Emerson Williams








Reproach (Full of Hope)


As all came
Crashing down,
We could not help but laugh
Draining blood to function on belief
Factious stream counter to all pleas
Reclaim vision,
Howl like wolves
Learn to love the crack of the lash
Chambers full, envy and returns distorted
On the sharp edge advance changes design

Formless,
Unsullied,
Holy, with indigent longing
Hollow ravenous greed and profits twisted
Resting on the firmament adapts intention
The innocent
Break off,
Contemplating dispersions quelling
Deplete to pour out acts in certainty
Factious blood counters all entreaties 



My Inner Sanctum 


In a shaded doorway
Watching the spirits at play,
Through a cracked and shimmering window to the world;
Through my surprise, welling up in my eyes:
Your soul;
Bleeding, old; a deep well of love:
Sepulchral, cold.

The crowning glory swathed in fear,
The brave action recoiling into futility.
To my knees glancing upward,
There flies pain: mine.

Deep ecstasy traces desire.
Hidden places, lost hold;
No one to sustain reality,
My love erases me.
I turn around to go,
The world around me flows through my body.
The bitter realization contains the happy seed: yes, me.

Weak and stumbling,
Gloriously breathing still dawn’s air,
That part of me now lost forever,
It wanders lonely in the dark.
Battle-weary I remain
Inconsistency remarked,
Though seemingly complete.
The soul bears not
Such vacuous conceit.
God damn you!
How can I bear to see your face?
Your every tear reveals my cowering disgrace.
To my knees, glancing inward:
Imprisoned:
My inner sanctum.

Exaltation in Ascendancy


Weeping alight, Drawn in too tight
Warnings too late are told in our plight
The haints come with parched, red grins
Celebrate this day our irredeemable sins

Nocturnal professions come into nothingness
Lifts our burdens, becomes our hidden weapons
Wailing by the window in the grief of the proud
Dread failings wrapped around us like shrouds

A soothing breeze, a haunting phrase
Leaks out from behind the gate
Secret passions worn like a medal
Truth be told, trust is never to be shown


Worship of Disclosure



Thought shall inaugurate the fall of fear
The fall eliminate the life that was
The life that was can never have been
Lie turns back on lie; behold
Fear shall die with its slaves
Visions shall lie, telling of the fear of death
Laughter shall erase this carnage of thought

Fear ridden spectres flitting by
Still their fetters bind your soul
Stronghold of corrosion let burst
The floodgates of dead gods desires
Move on by in disgust
Slink through the shadows of infinitude
Killing the will, slipping back
Back to that which never was

In distrust lie the possibilities
That were stillborn in haloed fields
We’ll tear the cities down falsehood by falsehood



Manifestation Objective

Soul fire kisses, a hapless passion
Upon the pulse of the altars of madness
Radiant visage glowing words on flesh
Remembrance of my deaths shadow
Take my hand personified
Leads you down

Bound to the end of time
Strewn about like gravel
Blown like glass
Where lunacy comforts


Draw In, Wind Down



Wheels on wet road greet my waking eyes
Halted by the touch of memory
I smell the rain and hear its song
This bed will not let go of me
Nor the thirsty, feverish day get off me

Draw in, wind down

I still feel the touch of the nocturnal breeze
The seeds are flung at the remains; reasons found


Dream Shadow



Solemn grey – the sky evokes my Angel
Walking in the rain, I’m not alone
White lace, wet lace light and clinging
Clinging to the face of the forest
I want to sleep in the rain, in the snow
Warm and safe under the snows ice hands

I fall and am safe
I sleep and fear the face
I fly and am no more
And am no more

Sleep pulls me down into silken sepulchers
Born away on seas of sound I cry out
A breeze soothes my bitter mind on the crimson plane

Wrapped in those I love
I awaken to dawn caresses
And they are no more 


Can’t stop Laughing (The Beauty of Drowning) 




Souls defied, deep penetration
tearing asunder liquid desire.
Inner strength, all-consuming turmoil
pulls me down, pulls me under the black surface.

For all I love I give you this;
(Christians to the lions).
As we gaze upon the black water;
(you pull me under).
Speak to me of how I love the pain.
I can't stop laughing,
I can't stop laughing!
(The beauty of drowning).

We lie side by side, blowing sparks
gazing into the screaming silence.
Under the birthing moo we pray,
pray to be together for all time.



Undergrowth Silent with Want


Ice like claws languid in the damp
Memory fades, life drifts, blood dries
Spreading out among the leaves
The end begins, birth is everywhere

Embrace of roots; here is everywhere
All life is one – we are here
Lost in forever, hearing, feeling
Seeing all


Fated, Cascading; Submerged



No-one ever thinks about how it’ll end
Line after line gone up in smoke with fire as your only friend
All the thought of a lifetime with no conscious evolution
One cannot recall where it began to slide

Lost beneath the debris
You can no longer tell which way is up
We seem to count on forever
One automatic pull on the lever

The vital engine roars not trusted to deliver
The pain it will subside and make the muscle bigger
Dance victorious on our aching bloody feet
One more time, let’s hear the beat and spread our joy like opened veins

Come, let us wait here hiding beneath the snow
Centuries shall pass maddeningly as we watch them grow
Angels watching over us, attainment purified
Death, rebirth, life death, in snowy spirals fly

Force release virtual discordant hold of defense substitute pale vicinity gliding pseudonyms gravestone figures vitriol leitrim




Extend Inward, Breathe Out
(instrumental)



The Gathering World Withdrew Its Fury


Lay me down – I fear no more
The longing is subsiding
I’ve locked the door – I’ve freed my mind
It’s only you and me
It’s time, let’s go

And as the sands of time conspire to erase us
It will be done

Dispersed in flight – we are alone
The vision slowly fades
Close my eyes – choke my cries
Now we’re going home

Necrofuturist Episode 32 - Beastern Crabalistic Sources


The Necrofuturist Illuminati were set up for "gothronomic intriguing rather than in speculation", the Necrofuturist Illuminati became "much more characteristic of a cross-dimensional militia in action than a disorder with initiations." P. Emerson Williams' contempt for certain exoteric pursuits - as a "thing-in-itself" - was widely known: "... in Williams' system the phraseology of Gothraism, the Necrolistic legends of Freemasonry, the mystical imaginings of the Fartinistes, play at first no part at all. For all forms of 'gothosophy,' gnoccicism, refined spiritsism, and musick-magick Williams expresses nothing but contemporaneousness, and the Doze-Croix Necromasons are bracketed with the Necruits by the Necrofuturist Illuminati as enemas it is necessary to out-twit at every turn. Consequently no degree of Doze-Croix finds a place in Williams' system, as in all the other Gothtronic orders of the day which drew their influence from Beastern or Crabalistic sources."


Playlist:

UK Decay – Unexpected Guest
Veil of Thorns – A Craven Slave Design
Experiment Haywire - New World Order Show (Fernthal Highway mix)
Miserylab - Stand in Line
Attrition - Mind Drop
Thomas Jude Barclay Morrison - The Plague Doctor
Esben And The Witch – Warpath
Pictureplane - Goth Star (Brenmar Remix)
NO VIRGIN - Cocaine and Ashes
Controlled Bleeding – Trawlers Song
White Ring - Feather (Story of Isaac Remix)

Saturday, December 17, 2011

Menagerie of Suffering - Bright Colours of Horror For The Dark Season

To assuage thee horrorz ov thee season, the fine folks at Grimtown Records have put together a most atmospheric compilation and bring it to you for free. We contributed a track which, inspired by the theme, we recorded in an abandoned theatre (of terror) deep down in a rusting valley. We made sure to capture the reverberations and eldritch voices hid therein...

Grimtown Records is proud to give you our first free compilation:

Menagerie of Suffering

a tribute to Italian horror and exploitation

We’ve put together a brilliant playlist for you, with a variety of artists who share their unique experience and visions. From pataphysics, ambient and noise, and further on to pure seventies retro. Download and distribute far and wide, and keep the spirit of exploitation alive and screaming. 
If you like this music (and art), don’t be afraid to let us know, and don’t be afraid to tell the artists involved. Musicians are all psychick vampires, and want your emotional feedback. If there’s enough of it, there might be more releases in the future.

TRACKLIST:

01 Three Winters – Atrocities
02 Atropine – Glass Jaw
03 Magdalena Solis – Prophetic Dreams
04 Others – Nero su Rosso
05 Miza[R] – Di Comunicazion Radio
06 Continental Fruit – Viva Fangoria
07 Veil of Thorns – Gli Occhi Della Notte
08 Dead Skull – I miei Colori
09 Gyron V – Killing for Satan
10 Gird_09 -  Seven Doors of Hell
11 Epilektrician – Scene 75, Interior – Bathroom Carnage
12 Andreas Brandal – All the Colors of the Dark


Magdalena Solis has also provided a video which will be made available as soon as possible. In the meantime you can watch it here:

Magdalena Solis - Prophetic Dreams from Magdalena Solis on Vimeo.

Cosmic harlots in a sacrilegious ecstatic dance. To a world where dreams are the only true prophecies. 
The song 'Prophetic Dreams' appears on Magdalena Solis 's album "Hesperia", released on Dying For Bad Music, 2011. Various footage mangled & distorted & mixed by Magdalena Solis. Tribal make-up pictures and 'Venus del Sur' drawing by Dolorosa (http://dolorosa-reveries.blogspot.com). Daggy Diva pictures by Jules Dazzle.

Kevin Bittle has provided artwork for the PDF booklet.


Friday, December 16, 2011

Veil of Thorns History - Dead God




Opening proceedings on this one is a perky pop confection that will probably catch those who have been with us for a while off guard. Dead God consists mainly of a cassette rip of the third Veil of Thorns demo from 1992 that was never released. This opening track shows one immediately what a rock solid bass Cathy Chenoweth delivered in recordings and live. Here appears the many splendored pounding from Ruddy Bitch the Younger for the first time. That Emerson guy, well he moans and wails, on guitar he flails over hill and dale... Final track features a thunderous low-end bass apocalypsis brought by Christopher McClain.

Torrenters, and there have been many of you for these tracks, will notice there's a close match between Dead God and a release called The End of the Beginning. I figured I'd give this one one last go at cleanup on the sound and add in a couple tracks from The Dead God Sessions from the second lineup that aren't alternate versions of tracks from Cafe Flesh. I the result is a more solid experience, though still undeniably lo-fi and different from all other Veil of Thorns offerings.

Few people heard The End of the Beginning this at the time and none heard The Dead God Sessions outside the inner circle and Tiziana from Misanthropy Records. Raw recordings from rehearsal and pre production demos for the debut Veil of Thorns album in 1995. The Dead God Sessions tracks were recorded live in a single take in most cases, using two mikes, placed at either end of a 30’x30’ rehearsal room in Boston. The analog recording was extremely hot, so little compression or noise reduction was done.

Within days of the conclusion of the End of the Beginning recording sessions, Jarrett was gone and Cathy was on her way to New York. Christopher (Dogface) McClain was to step in and Veil of Thorns would start showing a new focus. McClain brought with him a massive bass rig that could raze small towns. In performing the title track live I would stick my head and microphone right in the speaker of the bass cabinet to add that overload of volume to the screaming at the end. Good times.

Already the vocals were less operatic, and there is even a hint of pop songwriting, something that was not to be revisited until much later on Birthed.

-P. Emerson Williams

Have a listen:

Wednesday, December 14, 2011

Saturday, December 10, 2011

Veil of Thorns on Derfrock


Derfrock is a lovely show presented by DJ Derfel.  He has played sets in the virtual world of Second Life and has shows on several web radio stations: Strangeways Radio, Nightbreed Radio, Cathedral13, Deathrock Radio and Dark Italia. Writings of DJ Derfel  can also be found within the pages of Ascension Magazine, a goth,postpunk,alternative,darkindie,electro etc italian independent magazine,

You should bookmark his site, catch up with the podcasts archived there and tune in on Nightbreed Radio early and often.

Originally aired September 2011


Listen below or download at http://www.djderfel.eu/?p=1255





Playlist:

Derfrock Intro (The Vanishing)
Hatesex – A Rose Without Eyes
Mt.Sims – Hellbent
Camp Z – The Casualty II
Sleeping Dogs Wake – Walk On
Veil Of Thorns – Bizarre Political Threat Rites
Shadow Project – Static Jesus
Chrysalis Morass – Unveil
Insanasomnia – Prier Our Ne Plus Prier
Miguel And The Living Dead – Aliens Wear Sunglasses
The Eternal – I’ll Jump And I’ll Go
Play Dead – Sins Of Sins
Killing Joke – Frenzy
Varjo – Joku Sytytti Kynttilan
Mephisto Walz – The Beast Within

Tuesday, December 6, 2011

A Music Section Has Been Added


We just added a music section to the site where you can stream or buy downloads of many albums. Some of these releases have been given some loving re-mastering treatment and keep checking back for some exclusive and some free releases. This is just the start.

Eventually we'll have the full Veil of Thorns discography up there, as well as related projects, like the full discography of Choronzon and a few treats that are in the deal making stage. More on that as soon as things have been solidified. New editions of old CD's are in the works and two Veil of Thorns releases are in the works.


New Distributor: PANIC Media

More details later this week. For now, here's Salon Apocalypse:


Monday, December 5, 2011

Vampire Wars Lyrics


NOISE COVERED WORSHIP
INCREASINGLY BIZARRE POLITICAL THREAT RITES 
PROCESS PRODUCT PROPOSITION
DE LEGE MOTUS
CREATOR-GOVERNMENT-CREATOR
A CRAVEN SLAVE DESIGN
SACRED  THOUGHT OBSTACLES
DISSOCIATIVE MODIFICATIONS
ELECTRONIC VOICE PHENOMENA
GRAVE PECULIARITY RECEIVED
APPARITIONS OF ART
PROGRAMMERS BELOW SIGHTS OF THE OPERATIONAL SECRET
VAMPIRE WARS 
A  NON-EUCLIDEAN FUTURE

Noise Covered Worship

We introduce the warm device without Guilt
A wine soaked wish for an ugliness of liminal silt,
The martyrs Eat System souls and wet them down
The worship of generated lies, the death of those below
In performance, signs conceal that articulation;
Lives lost unveil a light of a different speculation
the demon-wheel parts a river-bed, ideological meaning
Perfect nightmares born mournful and righteous
Programmers short body flashes and transmit us

Noise covered worship, God of rage,
worn-out time, the abhorrence intercession
Noise covered worship, Red annihilation
Creates desire, ecstasy confrontation
Agony stamina. and sacrifice concluded

Secret sixty-one magnetic void resists symbols assigned
network of being that arms loneliness, operational parasites
blood-feeders limits of psi-tendrils, wires Symbiosis order arms
weak works of hate, the mind-controlled forms arise from harm.
This spirit and liquid that powerful. flashes evolved sight,
the head of your a barely justified vision illuminates the night
Beggarman faith names those nine incantations of one alien reality
ION head forms the annihilation inspiration opposition duality

Noise covered worship, God of rage,
worn-out time, the abhorrence intercession
Noise covered worship, Red annihilation
Creates desire, ecstasy confrontation
Agony stamina. and sacrifice concluded

Noise covered worship, God of rage,
worn-out time, the abhorrence intercession
Noise covered worship, Red annihilation
Creates desire, ecstasy confrontation
Agony stamina. and sacrifice concluded

Increasingly Bizarre Political Threat Rites 

Lighting Born souls stop at the heart of Nothing
rebirth told the tormented minds Twitching
Cut-out eyes encircle the vacuum Pondering last Forever
slumberless outside operational warm flowers
flesh soul enemies sung from mollified shadows lore
and there, the Discarding of Thirsty Lighting innocence Torn
without words in carressing awe Watchers let Razors drop
ghost-drone to Bodies of the beast buzzed in hearts of misanthropes

Increasingly bizarre political threat rites
Where rumours Project what designed my mind,
Increasingly bizarre political threat rites
A desperation Falling will sleep our Death

the fearful Boardroom commanders practice ugliness carresses
with subdued energy the shadows felt to be writhing texts
lovers spies taste Lighting flesh waking live beneath your too warm affliction.
let shame chill the messenger of NIGHT passionate under observation
Strapping the Bodies of prey outside on passionate feeding grounds
mask In the mirror like The demon flowers shadow-mouths,
wilted awaken the Silent creation the And run the Adversary your Cult
Words eat the voices from lips burning all years of Guilt

Increasingly bizarre political threat rites
Where rumours Project what designed my mind,
Increasingly bizarre political threat rites
A desperation Falling will sleep our Death

Increasingly bizarre political threat rites
Where rumours Project what designed my mind,
Increasingly bizarre political threat rites
A desperation Falling will sleep our Death

The hell of your Adversary heats The ugliness of innocence
A plague Moon, Twitching eyes being my only shame,
I languish in the pyramid pondering the fallen turned into my enemy,
I am beneath the stolen floors of preserved Sorcery


Process Product Proposition

Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind
Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind

the scream of bitter wet guns
the Suffering was glad
Terror energy focus spies sold character your string of dead flowers

Key the optic dispensed Rapture
Opium storing tv
the VOID soothing forces reprogrammed the Flesh


fire Haunting will of the heart
was clean in the eyes
Our stolen fruit is weaponized gives the me no mind,
Moon, enemy, invoked,
perfect humans as the a heavens die out
The fallen and the commanders use the power of the written LAW

Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind
Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind

Stun guns and overdoses,
a network storing Adversary souls
brain-machine and the act of forensic feeding unfolds

and my suspicion and the grimoires
joining overriding Born to them BELOW cut fortune
Thus Soul was like drop your storm as mountains
designed Nothing your way Pondering Vomiting darkness,
the passionate obeyed me their Respect of your worship
The executor thus obeyed, Discarding glittering Will


died in practice for another self-righteous stabilized
Manifestation

Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind
GLITTERING WORSHIP brought
screaming Blackened storm-demons,
called are anyone going, NINE-FOLD
their Shadow OMNIPRESENCE

labored Liberty to back the spirits a most designed part sense can,

Subject:
nwe are NECROFUTURIST messengers
where that energy encircles, Ultra-violet integers
The29 one perish in the night passion Boardroom
acid figures Blood to Night I breed without venom
Radio Ain full mouths drug, a process of Terror wastes
severed from birth for thy dissolution, and the weaponized mixture,
their Ghouls, being in with overriding projects

Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind
GLITTERING WORSHIP brought
screaming Blackened storm-demons,
called are anyone going, NINE-FOLD
their Shadow OMNIPRESENCE

Process product proposition
the surges subdued by The Entertainment
Process product proposition
mollified the destructive mind
GLITTERING WORSHIP brought
screaming Blackened storm-demons,
called are anyone going, NINE-FOLD
their Shadow OMNIPRESENCE

De Lege Motus

(It is a secret)

Creator-government-Creator

Populate hell, a space combine of divine blood lust
overriding the God patterned subject/object binary
dark images, spontaneous sudden glimpses
tortured, yes, tortured, nothing ever dissolves
diagnosis is cultural, overrides everything,
Process is in place, negating all in favor of nothing
bizarre belief in seemingly perfect sacred meaning
modifications in seemingly random cultural artifacts
nothing is cultural, It is not the urge that forces modifications

nothing is sacred, everything is sacred
divine simplicity is Blasphemy made sacred

creator government creator
A god below, a Devil above
creator government creator
A god below, a Devil above
Everything is real
Nothing Is Permitted
creator government creator
A god below, a Devil above
creator government creator
A god below, a Devil above
Everything is real
Nothing Is Permitted

hallucinatory works explode eternal and random
kind omnipresence preexistence interpretive situations
figure and sudden be passage subversive in
divine experience explode the sacred tone believe can

nothing is sacrosanct, everything is forbidden
divine simplicity is Blasphemy made sacred

creator government creator
A god below, a Devil above
creator government creator
A god below, a Devil above
Everything is real
Nothing Is Permitted
creator government creator
A god below, a Devil above
creator government creator
A god below, a Devil above
Everything is real
Nothing Is Permitted

A Craven Slave Design

GATEWAY out OF  love of the essense of man
Watchers lore versions hum from the place where it began
channels the name and death SECRET BEHIND the Page
the FIRE Demons breathe a spirit to act out the rage
THROUGH legend to encounter powerful NATURE of Government
programmers BELOW sights of the operational SECRET
Path, OF WASTE OF elements feeding from One to ride the theory hole
chronology of their focus INITIATING  civilizations closed.

A craven slave design
A craven slave design
A craven slave design
A craven slave design

In the wrong sense, the brightest specialist of being
intercourse DEVOURS a pattern. observed: a product
energy dark he  is fast, pain accomplished New Eden source:
DARK was will palaces THE sex this System egregore
Blank form creation on above between very observation caused belief
vague dose OF will, of capabilities in beneath mind the scream .
writers waking to those disturbed and the moon accused the night
Distension alien GODDESS FORMS What all Spirits Phreak
dreamless HEAVENS the Lost black spirit himself
tunnelsTHE course, desires thus, originating THE death impression
a crash built into the system the human order
has Voice into all in ancient foundation and the breathing of paranoid snakes
you tempted the Great cause cover the MOUTH of the witch to stifle
You are (Atom) CURRENT ostensibly designed as
subterranean Effect was changeth intercession and INGRESS.

A craven slave design
A craven slave design
A craven slave design
A craven slave design

Sacred  Thought Obstacles

a suggestion of blood-soaked shock and awe
Wickedness Clown Rapture Dream conscious and stalking
action suppressed gives psi-demons life, the holding affliction.
COMPLETE and ALL One predators Soul
ATMOSPHERE swirls in to murmur OF  DEATH energy
This PRIMORDIAL Rage transmission, a Project death.
The programmers THE document roots has owners.

Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles

THE seven BLACK BLOOD  texts writhing The Wormwood, body
his Blood had His fourth rapid mouth deliver vitality.
television Sorcery fire picture DEVOURS The Cult Rite mating
what fearful drop is served, a lungful is in me – testing.
spirits unfolded  divine minds as ABYSS SPLENDOUR
ghost-drone Grave peculiarity. received Silence of THE Terror
CIRCULAR ritual full of Thought a night desire of the practice
eating demon Operator sigilized dead white chill
Drive Requiem in the evil rebirth Drive Requiem wake
The waking grave BEHIND who Weep her GREAT oceans
A night of mating wolves' incarnation FORMS THE dust
Exorcism DEVOURS Numbers and form, black hole.

Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles

the body magick discord, speaks to fundamental character
secrets seduced imaginary American
in glorious Harlotry buzzed to the death.
a craven slave design branches up
Nothing around them with infernal NIGHT
finish business of rebirth mind with Power filter documents
MAGICKAL praxis before rest envenoms the appetite

Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles
Sacred  Thought Obstacles

Dissociative Modifications

These cults as Such in the first three aeons are but chapters,
after which the symbols of the black night of chaos
A black much richer than that from which they emerge
into the light of the form of the manifestations.
This cannot be achieved without efflorescence
a survey of primal cults Current
and the symbolic formulae deposited
times and appear in pre-monumental
a skeleton whereon explained more it than the Fetish

Dissociative modifications
Dissociative modifications
Dissociative modifications
Dissociative modifications

In channel fire a survey is presented
some of its systems of the Five.
There exist no phenomena in the light
Tantric aspects of that are often
confused with such a survey and  occultism
no more perfect to found Its aim is to restore the Left Hand
Path and to re-interpret its field for magic explains Recent

Dissociative modifications
Dissociative modifications
Dissociative modifications
Dissociative modifications


Electronic Voice Phenomena

I've been waiting for you...

Grave Peculiarity Received

process; couch. Knowledge dealt by the swarms
desolate, the neither the first fit of writings.
passage egregore conversation of man
encounter would while agony and covered obscure
stepped feely down and have beyond
covered and mirror version my power
the presence in it below, creation the hour of additional organs
dry powerful skin figures will, are submission
this has The malevolence
and only power Darkness awe considerably.
and as of proved Each little pain in number

Fear of skin, This dealing ritual
years of screaming and submissiveness
Grave peculiarity received
Grave peculiarity received

the Rare of form, this very journal demonic grim
skirts their glistening contained channels
Old scented wine in between to stage tradition spent
each of the opened relationship and loveliest Graves
programmed texts translated you one of lacking.
invoking half-human associated process transcend
she cry sting slick though he answer Little
blessed is death this earth-bound world lake.
cloud Recalling and offered as commanded
Operator in that found chronology
from first are made of sections to ride the practices;

Fear of skin, This dealing ritual
years of screaming and submissiveness
Grave peculiarity received
Grave peculiarity received

Fear of skin, This dealing ritual
years of screaming and submissiveness
Grave peculiarity received
Grave peculiarity received
Grave peculiarity received
Grave peculiarity received

Programmers Below Sights of the Operational Secret






Vampire wars 

Summon Horseman to perform
Insatiable Rage and Dream Seduction Grave
eclectic dreamlike conclusion machine
Deep Within Halls of Shadow Ghouls, the learned Insane

midnight stories told In Excitement
the Rusting Dead Take Control of a Lost Sewer Command
The Shadow Council's Daylight Challenge
Blood Hunters Utopia machine Drains Resistance

haunting dreadful sweet punishment
brain-machine Management of the synthetic familiar
ancient Manifestation Deathbringer
Sewer Vampire Drained of Immunity in the daylight Woods

Dead apocalyptic Dream like shadow Theatre
Poisonwood Leaves Ashes in the Holy Water
Storm sage Grave Touch Annihilations
Destroy Manipulation Dominance Seduction

Vampire Wars
Vampire Wars
Vampire Wars
Vampire Wars



Circle Black Halls in Dissonance
Silver Grave Pack Attack the Shadows of midnight on a Silver Altar
Rotting Ruins Sourced reference
brain-machine Management of the synthetic familiar

received Fallacy and fate
High inquest Possession obsession Control
Lost Icons Summon Another Shadow
Rat Drug Black Void the Thirst of the soul

haunting dreadful sweet punishment
Destroy the other soul Surgically For Dominance Seduction
ancient Manifestation Deathbringer
Sewer Vampire Drained of Immunity in the daylight Woods

Mutants Receive The Shadow Council's Request
Within Phantom Thorns Utopia Obsession Manifest
Grave Void Emissary of an Insane Thirst
Relic of the Resistance to Another Sunlight Fight

Vampire Wars
Vampire Wars
Vampire Wars
Vampire Wars

A  Non-Euclidean Future
-----


Friday, December 2, 2011

damage’s razor coated candies 02


This is a very cool idea, a "mixtape" created as a playlist of videos. This edition includes the Veil of Thorns track De Lege Motus, from the album Vampire Wars.



Hello, joyful readers looking for new music. The second etape of razor coated candies is out, which is a weekly edition of 21 tracks ranging from black to another shade of black (and very intense, rumbling, bass- and melody-heavy and otherwise quite enjoyable inbetween). There is a huge mixture of genres, last week’s RCC meandered from darkpop through cabaret and ambient to electrohouse, this week’s edition might be a bit more influenced by gothic, but I wouldn’t be so sure. Be prepared – every Thursday brings you a new edition (something Miss @Toyclouds called endre kabátolt cukorkák which sent bits of our brain Sputnikwards), share this Dragontape package if you need some weekly recommendation into the blissful waves beyond the mainstream maya.

---

DAMAGE'S RAZOR COATED CANDIES #02
(01:28:16)

---

1. Strength Through Music - "Who Killed Amanda Palmer" Video Series: Part 6 (03:50)
2. Gimme Sympathy [Official Music Video] - METRIC (03:48)
3. Cruel Black Dove - Forgotten Place (video edit) (03:06)
4. Ladytron - Destroy everything you touch HQ (03:58)
5. IAMX - Ghosts of Utopia (Official music video) (03:45)
6. The Vanishing - Lovesick (04:17)
7. The Horrors - Sea Within A Sea [HQ] (08:24)
8. Regina Spektor - "Us" [OFFICIAL video] (04:01)
9. IKON - A Line on a Dark Day (04:04)
10. Good Charlotte Keep Your Hands Off My Girl (03:28)
11. GR†LLGR†LL...I'm gonna dress in black/THEM (03:45)
12. Interpol - Lights directed by Mr. Charlie White (official video) (05:12)
13. Pulp - Do You Remember The First Time (Promo) (03:49)
14. Filthy Dukes - This Rhythm (03:47)
15. Veil of Thorns - De Lege Motus (05:30)
16. yelworC - Blood in face (LIVE in BERLIN 2008) (05:30)
17. Hecq Vs Exillion ''Spheres Of Fury'' (04:06)
18. Alec Empire - New World Order (03:37)
19. The Creatures - Godzilla (03:37)
20. Sleep Chamber - ISIS (promo video) (05:01)
21. The Last Beat of My Heart (04:34)


---

Created by damage (Fri Mar 11 15:36:19 UTC 2011)

Sunday, November 27, 2011

Vampire Wars is Now Available On CD!

We have the CD of the Vampire Wars album available now for a special price of $5. You can go purchase the CD here.

8,632 Downloads and counting! Veil of Thorns – Vampire Wars

A huge thanks to those of you who have downloaded this album and shared it with fiends & foes. We’re proud to find that as of this week, more than 6,000 of you have downloaded it. (Not counting the music blogs and Russian file sharing sites. They use their own uploads and we have no way of knowing how many downloads, or even how many sites are hosting this release by now.)





Of course, the free download option will continue to be available for as long as the sites and trackers hosting them exist.  

Megaupload Link





Donate and help bring Necrofuturist media production to the next level. Free music and other media will be forthcoming.

Saturday, November 26, 2011

Inner-X-Musick Iz Back!


We have Choronzon - Ziggurat of Dead Shibboleths, Veil of Thorns - Necrofuturist, Veil of Thorns - Salon Apocalypse available on CD again and more coming. Watch out for Choronzon - FIAT NOX on CD and a brand new releases from the infamous SLEEPCHAMBER, called SCOPOLAMINE, which includes one P. Emerson Williams among performers.

Hie thee hence to innerxmusick.com and check it out.

Veil of Thorns - Salon Apocalypse - Mick Mercer Review


VEIL OF THORNS
SALON APOCALYPSE
Inner-X-Musick

This where acid rock and Industrial-triphop fuse, where you try and make easy sense of it all and you lose. Worryingly, it does begin to make more sense the more you listen. The walls close in during ‘Still Bloody Action’ as the rhythm clashes with a set of vocals that make you think someone has woken Merlin. If that’s your sort of thing, read on…

Their collective lungs breathe out metal splinters in a confusing ‘Sleep, Cut And Run’ and I’m assuming that’s none other than Aidan McGoran on guitar, although it may not be, but he’s on here somewhere, and Pandora wheels away like an acid casualty cutting her safety chord on a space walk. There’s a different mood for ‘Intellectual Institutional Object’ as P. Emerson Williams rambles on like the Godchild of William Burroughs channelling Bob Dylan, offering a nice bit about ‘Devil to a half-Devil dissolve.’ Pandora’s got back into the space station and seems suitably contrite.

‘And The Beast Of The Vision Still Roams In Dream’ would appear to be a distantly observed orchestra balanced on an electricity pylon shrouded in fog. ‘Sepulchral Reminder (Torment Rose)’ brings in a solid beat as our vocal host sounds like a deranged headmaster as the sound falls in on itself, threshing wildly. (Imagine robots falling down very long stairs.) The psychedelic guitar motif that floats on high above ‘Nearer To Hell (Ideological Corpses)’ gives it all a stronger impact. At least we know we’re on Earth with a poisoned watery dance thing. ‘The Play Is The Thing’ appears to be a continuation, the guitar briefly evident before things tick into a slower, oppressive gear then disintegrates into am ambient maelstrom.

‘Nocturne’ is another thing entirely, windswept and ghostly, with some accommodating bass and fuzzy logic, all art dance friendliness. ‘Infinitude’ is a stripped down, pacey alt-rock avalanche, and ‘Seduction’ is a bit of a torch thing with Pandora waving the flaming torch a bit near your face and the music wandering into filmic horror.

‘Windows Blacked Out’ is a snatch of something mental, ambient with mumbled overlay, while ‘The Bell’ could be a rare recording of Vincent Price. ‘Autonomous Anonymous Anomalous’ returns to scuffed-up rock daubs jumbled into a cacophonous sludge. Me, I like a nice tune, so I have no idea what’s going on. ‘The Thing Is In Play’ fidgets and slithers with some dance intention or other, ‘Imagination Thieves’ is a moody vocal scene, ‘Veiled Shadows Glaze’ adding in some more vocal drama and musical swirls, before they come close to something conventional to close with ‘Soul Intervention’ sounding a bit like Red Hot Chilli Peppers spinning upside down on their heads.

We have the other two albums they’ve just released over the next two nights. To infinity and…somewhere else besides.

Culture Asylum Reviews SALON APOCALYPSE

From our friends at Culture Asylum Magazine....

VEIL OF THORNS - SALON APOCALYPSE

(Inner-X-Musick): How do you describe P. Emerson Williams' work when it comes to Salon Apocalypse.  It is a mixture of experimental, gothic, and industrial.    Williams' vocals are calm and pronounced and clear even dreamy in a lot of ways.  They are soothing in parts and often the music is an experiment into the mind's eye.  This is experimentation that isn't overwhelming, rather, it takes one into the realm of dreams and information.  This is a very intellectual release that is powerful each track scratching at your very soul.  There are some club elements mixed into the many layers of industrial and experimental: a true journey unlike any other in this arena.  P. Emerson Williams is a true visionary and people should take notice to quite an incredible release.  Feel the emotion and witness the the beautiful nightmare waiting for you.
Culture Asylum Magazine
March 2010

Purchase Cultural Asylum Magazine HERE

THE WALTZ (and other atrocities)

An experimental short film by visual genius Chad Michael Ward. Music by P. Emerson Williams.
THE WALTZ from Chad Michael Ward on Vimeo.
An experimental short film, shot on the Canon 7D.

Written, Shot, Directed & Edited by Chad Michael Ward
Produced by Chad Michael Ward and Geoff Flint
Additional Editing by Pearry Teo & Mary Taylor
Production Design by Geoff Flint
Makeup by Cris Alex & Miss Quinn
Music courtesy of P. Emerson Williams

Starring Asphyxia, Nickie Jean, Alexandra Mathews, Skin and Sparrow.

Copyright 2010 Teo/Ward Productions. All Rights Reserved.

Saturday, November 21, 2009

Veil of Thorns - Abattoir Apocalypse Transmission I





There is a theme, but an as yet nebulous one. I'm pulling together phenomena and experiences connected with art movements of the last hundred years and the corresponding societal upheavals that ran concurrently and which had an enormous impact on the birth, life and death of those art movements.

At the same time, I'm meditating on the similarities and interconnectedness of art and cultural groups and cults, magickal groups, religions, philosophical paradigm shifts and the growth they spur as well as the devastation they leave in their wake, both psychick and materially manifest.

And there's a book I'm desperately looking for, don't know the name of it, but its effect on people who read it seems to have been similar to the fictional King in Yellow.


This item is part of the collection: Ourmedia

Mediatype: Image
Creator: Veil of Thorns
Licenseurl: http://creativecommons.org/licenses/by-nc-sa/3.0/no/
Identifier: VeilOfThorns-AbattoirApocalypseTransmissionI
Addeddate: 2009-11-21 09:59:07
Publicdate: 2009-11-21 10:04:35
Keywords: VEIL OF THORNS; NECROFUTURIST; salon apocalypse; soundscape; ambient; gothic

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0 Norway

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Wednesday, November 11, 2009

Shamanistic Madness - Veil Of Thorns Interview


VEIL OF THORNS - SHAMANISTIC MADNESS

Over the last two years P. Emerson Williams has been extremely busy. His art work has been seen on the front cover of SLEEPCHAMBER'S return to action release "Socery, Spellls, and Serpent Charms", as well as the Zewizz tribute releases "That's Romance" (both part 1 and 2). He is heavily involved with Foolish People.org (with the current "The Abattoir Pages" production as well as the production "Cirxus" from earlier this year). Not to mention various other cover art project, book cover projects, creating musick with various bands, AS well as writing musick for his own projects -Veil Of Thorns, Choronzon, and Kkoagulaa - and that's just the tip of the iceburg.

October see's the release of two new CD's by Williams project Veil Of Thorns on Inner-X-Musick. Impossible to categorize, Veil Of Thorns began as a Goth band in the early 90's club scene in Boston but steadily moved toward a more eclectic sound. Not afraid to use any influence - you will hear styling's of goth, hip hop, industrial, classical, and just about the whole kitchen sink.

TOS: I imagine you are thrilled to be part of historic Inner-X-Musick. You were part of the Boston scene. You have been booked by John Zewizz for shows... It must in some ways seem like a natural progression.
VOT: Being part of Inner-X-Musick is more than I could have hoped for. I can't imagine a better fit. With most labels, the challenge for me is to rein ideas in to palatable song forms, but with Inner-X, the challenge is to live up to the long history of innovation, experimentation and forward thinking of the label and John Zewizz. This is a much more exciting and fruitful kind of challenge than the former kind which I look forward to taking on.

TOS: Veil Of Thorns (part 1 I shall call it) 1991 to 1994 saw you work with a few different collaborators before settling upon Chris McClain. Good memories?

VOT: Some amazing times were had, for sure. the first lineup started with just me and a jazz drummer (Sean Savoie) but by the time it was filled out with a bass player (Catherine Chenoweth) and second guitarist, (the late, great Jarrett Laitinen) that drummer was off to a new adventure in Japan. If he had stayed, the first demo may have sounded more like Cognitive Dissonance than what we ended up with for our first two demos.

At that time, Catherine booked all our gigs, which with her many biker friends brought us to biker bars as well as the first shows at TT the Bears in Cambridge and the late lamented Channel. The recordings from that time are definitely primitive, but I'm still proud of them. I would like to see less slickness in underground music than there is in general right now outside Eastern Europe, the Middle East and Asia.

Chris McClain came in, bringing a new focus and maturity to proceedings.

TOS: Everything stopped in 1994. Then nothing till 2002 - 03 really, with "Birthed". Why the hiatus? What inspired the return?
VOT: Well, we were gigging a lot more in the period between -94 and -98, which ended up cutting into the writing and recording. If I had been more forward thinking, I would have had these shows recorded in audio and video. Many of the gigs included guest players and extensive improvisation.

We were slated to release our debut CD through Misanthropy Records by the end of this period, but was not to happen as Tiziana, head of Misanthropy decided to close the label. What ended up as "Cafe Flesh" and "The Dead God Sessions" were demos done for the label for this album. There are more than a hundred hours of material not included in those releases I have on DAT tape, some of which that may see the light of day at some point.

In 1997 I signed with Nocturnal Art Productions and released the first Choronzon album in 1998. This brought much more attention than Veil of Thorns ever got, and I focused on that for a bit. I recorded the Choronzon albums "Lilith", "Era Vulgaris" and "Larvae" in 1989/1999, and dropped out of all normal society for a few years following.

Basically I went into the woods and was deep in the grip of the Gwyllt. By the time I re-emerged, I was psychically stripped down to nearly nothing. There's a world of difference between the work prior to and following this time. My methods continue to evolve from what I established with "Birthed" to this day.


TOS: If I am not mistaken "Salon Apocolypse" and "Necrofuturist" were recorded during the same time. Was the intention to make two CD's? Was the correlation between the two releases always intended?
VOT: Both albums grew out of the process of working on "The Abattoir Pages" as part of FoolishPeople. The intention was to finish "Salon Apocalypse", as the concept I had been working with for this release was in the same realm that John Harrigan tapped into for "Abattoir Pages". Through countless sleepless nights and days of madness, "Necrofuturist" wrote itself as a further expansion of the studies and current we were working with. I would not have chosen to take on so much in such a short period of time, but I really had no choice in the matter.

"Salon Apocalypse", "Necrofuturist" and "Abattoir Pages" are inextricably linked, through current and source materials, all preparing the ground for "Pleasure", for which all this work is a mere prologue.

TOS: Both releases are giant steps in a direction one would not have suspected after "Cognitive Dissonance". In fact, as I go through your catalog - this is close to the shift that occurred with the 2003's "Birthed". Does this represent a shift in your personal life, or your musical interests, or both.
VOT: This represents a huge shift in everything I touch. I can't say that I know what will result, nor what I'll be when I emerge from the other side. We are all in the process of experiencing aspects of this process. We'll be living in a new reality, (or rather, we'll have reality tunnels exploded), by the end of this.

TOS: I suspect that this release is steeped in chaos magick. I could be wrong, as I listen to them - I am reminded of Burroughs and Gysin early experiments. Was this the process you used with the lyrics? With the musick?
VOT: Well, there's quite a bit of old school Western magick with more than a little shamanistic madness and gnosis. Also Goetic methods overlaid with, yes, Burroughs/Gysin experiments to break down language patterns. The musick was carved out of what started with dense layers upon layers of sound. The musick is still dense, but given pulse and negative space like a sculpture.

TOS: Who are the performers on the new releases?
VOT: On guitar I had contributions from the amazing Aidan McGoran. "Salon Apocalypse" was very loose and amorphous until he got his hands on the material. James Curcio was only on a couple tracks on this one, but his contribution to percussion and electronic manipulations was invaluable. My colleagues in FoolishPeople, John Harrigan and Lucy Allin provided the mythological framework these albums inhabit, as well as some source material which is present throughout. Pandora brings her contribution from a parallel universe. Too much analysis of that aspect would be unwise.

TOS: Will there be a live version of Veil Of Thorns?
VOT: I would love that, but it's hard to say. Member and collaborators are all over the world and busy with a lot of other things. If it does happen, it'll not be a regular rock'n'roll show methinks...

Friday, November 6, 2009

the smallWorld: Back in a BIG way!

Hello! I’m back!

Yep, after nearly two years the Small World is back in action.

We just heard an excerpt from The H.P. Lovecraft Literary Podcast (http://www.hppodcraft.com), which is actually an excerpt from H.P. Lovecraft’s short story, The Picture in the House.

Chris Lackey and Chad Fifer are the host of the H.P. Lovecraft Literary Podcast and we’ll talk with them shortly. But before we talk with Chris and Chad I’m going to very quickly bring you up to speed with what I’ve been up to.

Back in late 2007 the Small World website was hacked. Hacked so badly that I had to nuke the entire database and start from scratch. That really took the wind out of my sails because starting from scratch meant updating the site with 496 shows.

And to be completely honest, I was more than a little burnt out. I had produced nearly 500 shows and the workload was taking it’s tole on me. I had to arrange the interview. do the interviews and then produce three shows a week. And remember, this is a labor of love, not a paying gig.

So when my site was hacked it was the final straw.

Since then I’ve been producing a show called Solipsistic Nation, where I play the best of all genres of electronic music. Along with playing great music I also interview people from the electronic music community: musicians, record labels, festival organizers, etc.

If NPR produced had an electronic music show then it would sound a lot like Solipsistic Nation.

Producing Solipsistic Nation is a lot of fun but I’ve always had that itch ti interview people about things that fascinate me that have nothing to do with electronic music. When Joe Matheny suggested that I archive the Small World on Alterati I thought it would be a perfect time to re-launch the Small World on a twice a month basis, which is a workload I can handle.

You’re probably asking yourself: what the hell is Alterati?

Alterati is like a word that you don’t know the exact definition of but you know what it means. Rather than try to explain Alterati to you right now, we’ll talk to Joseph Matheny, Alterati’s founder, on the next show and have him explain it.

So… let’s get to today’s show.

As I mentioned, our guests are Chris Lackey and Chad Fifer. Chris and Chad produce the H.P. Lovecraft Literary Podcast and H.P. Lovecraft was a science fiction slash horror writer who died in 1937.

You may or may not know Lovecraft but his writings have had an amazing impact on popular culture: from movies and comics like Hellboy to bands like Metallica and Black Sabbath. He’s also had a profound impact on writers like Stephen King, Jorge Luis Borges  and Neil Gaiman.

The H.P. Lovecraft Literary Podcast treats the work of Lovecraft with a deft touch. Each week features excerpts from one of Lovecraft’s stories accompanied with insightful and often hilarious commentary from Chris and Chad.

Today’s incidental music was provided by Veil of Thorns with the track “The Reflection” from their album, Necrofuturist. You can hear more of their Necrofuturistic music at http://www.veilofthorns.com

We’re going to keep with the funnier side of H.P. Lovecraft and close the show with a bit from Smart Bomb Radio with “Cthulhu Is My Co-pilot” and Tom Smith’s “Cthulhu Fthagn.”

Smart Bomb Radio can be found at http://www.myspace.com/smartbombradio and Tom Smith can be found at http://www.tomsmithonline.com

You can reach me at smallworldpodcast@gmail.com or follow me on Twitter at http://www.twitter.com/smallworld

Listen @ Alterati.com

Tuesday, August 18, 2009

VEIL OF THORNS “NECROFUTURIST" Inner-X-Musick XXX 72 (2009)

Inner-X-Musick is proud to announce it's first release by Veil Of Thorns. And because I run this blog - and because P. Emerson Williams is forward thinking artist - and because we both agree in the importance of the free flow of musick - and because the musick itself demanded it... You (the reader) reap the benefit.

"NECROFUTURIST" by Veil Of Thorns is the second non /SLEEPCHAMBER release on the newly revamped Inner-X-Musick, the first being the outstanding "Medical Report" by Grammal Seizure. However, "NECROFUTURIST" is the first release that is being offered as a FREE DOWNLOAD before the physical release becomes available.

For those of you who keep track of this sort of thing.. it's catalog number is XXX 72.

If you are familiar with Veil Of Thorns this release may catch you off guard. It is, as I like to call it, "Neo Gothick", although truthfully - Veil Of Thorns has started their own genre with this recording, and one could easily call it "retro futurist". Veil Of Thorns sound has always been unique, but certainly Gothic. Williams abilities as a musician has always set Veil Of Thorns apart from your standard "goth rocker", but through the new millennium Williams has also become a master of the process as well. It has paid off. "NECROFUTURIST" was methodically prepared for and then assembled. Each piece of the puzzle placed with veteran precision.

As with any Veil Of Thorns release, there is an overriding theme to the release. According to Williams,

"There is a theme, but an as yet nebulous one. I'm pulling together phenomena and experiences connected with art movements of the last hundred years and the corresponding societal upheavals that ran concurrently and which had an enormous impact on the birth, life and death of those art movements."

"At the same time, I'm meditating on the similarities and interconnectedness of art and cultural groups and cults, magickal groups, religions, philosophical paradigm shifts and the growth they spur as well as the devastation they leave in their wake, both psychick and materially manifest."

"And there's a book I'm desperately looking for, don't know the name of it, but its effect on people who read it seems to have been similar to the fictional King in Yellow."

http://en.wikipedia.org/wiki/The_King_in_Yellow

If you have been following recent developments with Inner-X-Musick - you would know that XXX 71 is already slated to be Veil Of Thorns "Salon Apocalypse". But this is a case of putting the cart before the horse. Williams explains "Necrofuturist continues the theme of Salon Apocalypse. TAZ in a warzone, flowers on a landmine, love & war. Time out of joint. it's therefore appropriate that this came together first."

There will be a physical release in the future. Probably sometime in the late fall, after the release of "Salon Apocalypse". Of course all the information will be posted here as it become available. See www.innerxmusick.com for all the goodies!

Track Listing ...
1
Thought Pollution Evolution
2

Through The Fire
3

Standing
4

The Vandals Exquisite Corpse
5

The Lifeless Trio Kept Playing
6

Wailing In Glass
7

Waltz
8

Pleasure In Nightmare
9

Giving Ascent
10

Dancing Revelation
11

Let Loose Into That Good Mourning
12

The Reflection
13

Deny Fascination
14

The Only One Left
15

Die As One
16

Entertainments Subsume Concern
17

Head Up Get Out
18

The Dead Channel

Get it HERE

Read about Veil Of Thorns HERE
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